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Simulacrum

November 4, 2024
Anna Zulueta

The year is 1925. The war is over. The depression is yet to come. Cauliflower and broccoli are aboard a ship to America, like two hopeful lovers. My grandma is nine years old with golden hair. She’s living in Wisconsin with Uncle Doc, Auntie Dee, Aunt Patty, Oma Olga, and Opa Raymond. My father’s family is in the Philippines, where the country is still under American rule. In Wisconsin, it is important to have bread and butter at every meal. Homemade, of course. It is dairy country, and my grandpa wakes up at 5 a.m. to milk the cows before he goes to school. My grandma lives in town, so this is not one of her chores. In the Philippines, it is important to have rice at every meal. My dad is the youngest of eight, and has to eat quickly, or else there will be no rice left for him. Heart disease runs on both sides of my family: my Opa passed from leukemia when I was a baby, and there is diabetes and high blood pressure on my dad’s side. Enter: cauliflower. Cauliflower is lower in carbohydrates than rice, and, critically, it can be sliced into small cubes to resemble the staple. It’s also pretty bland and absorbs flavor well, just like white rice. This method of preparing cauliflower is called “ricing,” and the dish itself is “riced cauliflower.” Because it looks and, to some extent, tastes like rice. I think my mom was the first to find it, in the frozen vegetable section of the grocery store nestled next to the broccoli (looks like they stayed together after all these years). Five minutes in the microwave, and out comes a low-calorie, low-carb rice substitute. This is what I would eat growing up, and now when I go home: not rice from a pot-bellied rice cooker, but riced cauliflower. Actual rice is reserved for special occasions: holidays, restaurants, particularly strong cravings. For when my dad makes vegetable pancit and chicken adobo. For birthdays, and maybe Easter or Christmas. I was talking about this with a good friend of mine, who, like me, is Asian and white. She asked me, “Why not eat brown rice?” I was stumped at first, because we did eat brown rice sometimes, just not as often as riced cauliflower. And I think the answer is the calorie count: brown rice may be higher in fiber, but cauliflower is lower in calories. And then there is the quality of simulacrum. Simulacrum: to be the same but not the same. And that is where riced cauliflower’s strength turns into its weakness. It is not rice, it only looks that way. I, of course, do not have the advantage of cauliflower: I do not look Asian. Neither do I look particularly German. I did not inherit my grandmother’s blonde hair and sky-blue eyes. This is something that my sister, who is adopted, and I have in common: neither of us looks like our parents. So I’ve searched over the years, starting in my own body, looking for something to tell me who I am. It’s the same search that drives people to take genealogy tests, and those companies know it—they lean into the rhetoric to suck people in. Those percentages won’t tell you who you are, I think. But still I examine my hands. See those wrinkles? I get them from my mom’s side. Look at the width of my fingers. They’re narrow like my dad’s. My hair is something of a conundrum: for years I thought I got my waves from my dad’s side. Its color is like that of my skin—somewhere between my parents’. But the waves, where are they from? My dad, whose hair is straight and black, claimed that he had wavy hair as a child. But visiting my Tita Aida, my dad’s oldest sister, a few summers ago proved otherwise: rare baby pictures show him with straight hair. My mom usually straightens her strawberry blonde hair, but one day after she let it air dry, I realized that her wave pattern is the same as mine. I’ve become more at peace with it over the years. But there are still things that nag me: When the first question people ask me after I tell them I’m Filipino is whether I’ve been to the Philippines. When their next question is whether I speak Tagalog (like this is the only language in the Philippines). Or when their reaction is “Well, you don’t look Filipino.” This last comment usually comes from other, older Filipinos, followed by an explanation from me of my German heritage, followed by a slightly colorist remark from them complimenting my complexion. Feeling like a simulacrum is part of what it’s like being in a diaspora and part of what it’s like being multiracial. Whether you claim multiple heritages or live in a culture that’s different from your family’s, you have to navigate multiple cultural contexts. You might feel like an impostor, like you’re not enough, or not authentic. Simulacrum. Is it a coincidence that the friend I mentioned earlier, who is white and Japanese American, was the only one who didn’t bat an eyelash when I mentioned riced cauliflower? That when I told her about this essay in her apartment kitchen, she just said, “Oh yeah, I eat that, too”? Perhaps it is just that: coincidence. She did, after all, have a rice cooker chugging merrily away on the countertop. 🍚 Simulacrum: to be the same but not the same. To want to be the same? To be forced to be the same? Simulacrum carries notes of assimilation, too obvious not to mention. The classic lunchbox example: immigrant children begging their parents not to make “ethnic” lunches because they are “too smelly.” Because it will make them stand out. Because America can accept your money but not your identity. During the days of FDR, accessing social welfare programs required one to be American, that is to say, to show that they have mastered white American culture. Societal messages exhorted Asian Americans to join the melting pot by erasing their heritage. Throw in your sisig, your balut, your Bratwurst, and out comes the perfect American chicken noodle soup. Affirmative action programs opened public schools to minorities, where students were taught to be American in a certain way, a white way. And not just any white, but a specific American white: in those days after the World Wars, my mother’s family started hiding their German language for fear of being taken as the enemy. This is one type of assimilation. Yet just forty years later, Reagan tax cuts discouraged this melting pot kind of assimilation: the state wouldn’t care for you anyway, so no need to perform. People kept their culture now because they could. The distinction between assimilation under Roosevelt and Reagan is not my idea; I came across it when I was reading Anna Tsing’s book The Mushroom at the End of the World, which describes the journey of the matsutake mushroom, from forest to plate. Tsing shows how coercive assimilation (FDR) and neoliberal multiculturalism (Reagan) shape the Asian American experience, explaining the difference in culture between Japanese American Nisei and Southeast Asian American mushroom pickers. The Nisei belonged to the older generation of FDR assimilation, and their lifestyle was similar to what Tsing herself grew up with: striving towards the “model minority” myth. The Mien mushroom camps, however, were full of more recent immigrants and reminded Tsing of China and Borneo rather than Asian America—the food and languages recreated home rather than recreating a “poster” America. Seeing Tsing’s explanation of something I had long wondered about—how the Asian American experience is different for different generations—helped me understand some phenomena in my own life. For example, why so many of my Chinese American friends went to Chinese school, and why there was a Japanese school that used my high school over the weekends. But it didn’t quite explain why there was no Filipino school. That has another history: American colonization. America doesn’t like to admit that it is an empire. Not only is it on stolen lands, but it also has overseas imperial holdings. While the Philippines received its independence in 1946, Guam and Puerto Rico, the other islands the U.S. took after the Spanish-American War, remain territories today. In the 1940s, when my mother’s family was hiding their German under FDR, my father’s family was learning English under American rule. This, too, affects my cultural upbringing. In today’s world, I feel that there is pressure to show your heritage, prove your membership. Let me see you eat rice. I am not entirely sure where this comes from. Many places, I suspect, but likely the racial reckoning of the last few years plays a key role. Is this something people are using to avoid facing their guilt? Some flavor of “If I am a minority, I cannot be racist.” Then there is moral policing of another kind: If you assimilated, you are bad, you gave in to your oppressors. Other voices say: Don’t you know that was how we had to survive? Or: Don’t you know that was my choice? Why do only some people have the luxury of choosing when they make their personal political? Let it be known: these barely scratch the surface of assimilation stories. 🍚 I eat more rice now than I ever have before. I still don’t eat a lot, just more than I have in the past. In part, this is because it is easy for me to acquire East and South Asian food through Brown’s meal plan. In part, this is because my partner is Chinese. If we continue building our lives together, I suppose rice will take on new meaning through our cultural fusion. I spent the summer of 2022 traveling around the U.S. visiting family. After losing my Oma and great aunt the previous fall, I realized how important family was and how you never know how long you have with someone. Concurrently, I realized how little I was connected to my Filipino side compared to my German side. While I don’t blame my parents, these facts were results of how they chose to engage with their families, heritages, and their children. Parenting is hard. Part of growing up is realizing how you are different from your parents. And also how you are similar. During my first semester at Brown, I felt like I was floating, untethered. A first-year college student away from home with no living grandparents, my feet barely scraping the ground. It’s a hard feeling to describe, but it was as if everyone had been airlifted from their previous life and dropped onto Brown’s campus, like the rest of the world didn’t exist. As the semesters went on, I started to feel my new life becoming more integrated with my past. College is a crucible of identity formation, and just because many people go through it doesn’t mean it isn’t hard. Simulacrum: to be the same but not the same. Isn’t this just how life works? As each moment passes, you are the same but not the same. You are a tiny bit older. You are a tiny bit changed. We are all ships of Theseus, sailing the seas of our lives. We can’t eat the same cauliflower twice. Maybe, then, we are all simulacra.

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I Miss the West

Mason Scurry
December 1, 2024

I woke up this morning yearning for wide, windswept roads, red rock, and mountain views through hot windowpane. Instead, I woke up in Providence, Rhode Island, missing a hometown 2,000 miles away. I miss the West. I miss my home. I miss the natural playground I grew up in, I miss falling in love on rockslides and meeting up with friends at trailheads and roadside diners and family-owned small-town breakfast places. I miss rippling fields of Indian Paintbrush, snowmelt waterfalls striking my scalp, burnt orange sunsets through smoky skies. When I was a kid, I hated Montana. Newcomers would come and gawk at the expansive mountain views, swoon over the shops in downtown Bozeman, and complain about growing up elsewhere. I never understood their obsessions. I’d been gazing at those mountains and shops since before my eyes were fully developed, I was touching pine trees and collecting bits of moss before I could walk, and starting ski lessons just after. Montana was all I knew. The mountain ranges marked not just the edge of the horizon, but the edge of my world. I never got the experience of seeing those mountains for the first time. For me, it was a mundane, everyday backdrop, meaningless gray, blues and greens. My parents were different. Neither one had been ‘out west’ until college. My dad applied to a job in Yellowstone impulsively and moved with 2 weeks' notice. My mom took a summer job here and never left. But I loathed Montana—my prison, a barren hellscape, devoid of people and just about everything else. Western cowboy-bolo culture always felt foreign. I craved marble fountains, whooping sirens bouncing off cement, pigeons. I craved crowds and buildings I had to crane my neck to see the top of, brownstones and urban gardens. I told my Mom once, in Chicago, “Nothing happens at home. Everything happens here.” But for some reason, this morning, I miss Montana. I miss the rest of the West, too. I miss Utah’s otherworldly cliff faces and sandy bellows, I miss Idaho’s pine forests, Oregon’s waterfalls pouring from mossy, black rock, California’s wide, wet tree trunks in inconceivable proportion, Nevada’s dried sagebrush leading nowhere, Wyoming’s two-laned highways and weathered church steeples. For two years, I tried hard to avoid going home for the summer. It felt like a regression. It didn’t feel right to go to college, to live alone and fiercely on the East Coast, to galavant around Boston with my newfound friends, and get drunk at bars with my fake ID. My attempts to secure a job were unsuccessful though, and the summer of my freshman year I stayed home. I traveled often, but when I was home, I stayed busy to keep my mind quiet and started a blissfully all-consuming business. Truly, that was the summer of escape. Escape from the backyard I grew up in because I was too old and it’s too well explored. Escape from thousands of trails I used to use for wildflower and mushroom hunting. Escape from a place that formed me, my body, soul, heart, and mind, a place I had no idea how to love. My second college summer, I went home again. Mania has a way of disrupting a person’s life. I completed two classes that semester, one book, and zero internship applications. In the mental hospital, I ‘knew’ I’d spend the summer road tripping with my ‘soulmate,’ showing the world what true love was. We’d soar above the Grand Canyon. When you’re manic anything is possible. As my delusions faded and I returned to my safer (though less interesting) existence in the real world, I told my nurses I’d spend the summer road tripping, writing, and selling copies of my published book to small-town bookstores. But the plan never came to fruition, so once again, I was stuck in Montana, the place I had just managed to escape from. But everything changed when I stumbled into love last summer. He loves Montana. He’ll be there for the rest of his life, ranching, moving water, birthing cattle. The edge of his world is the edge of his horizon, and the yearn to leave will never be strong enough. That gave our love an expiration date, because my home is not Paradise Valley, it is not Sheep Mountain, it is not Ennis or Bozeman or Yellowstone or the Gallatin or the seas of wildflowers. But somehow, this morning, I miss the West. I miss how I’d clamber onto the back of his four-wheeler and we’d roar upward toward a breathtaking view of the sunset. It splattered reds and oranges on the backsides of rocky peaks like a blind painter. I miss him in the driver's seat, searching dirt roads and creek beds for solace. I miss those afternoons and evenings because though I didn’t notice then, I wasn’t just falling in love with him. I was falling in love with Montana, reworking my relationship with the place. Don’t get me wrong. This is not some ultimate declaration of love to my hometown. This essay is not a shot in the dark, it’s not some pronouncement that I’ll be spending the rest of my life in a white two-story farmhouse with a porch swing and an aversion to urbanization. But it is to say that I miss the West, despite everything. He transformed my resentment into gratitude, untanlged my mind, and did some much-needed untangling. I left him, he left me, and then we left each other, and now I’m left nostalgic. I spend a good amount of time, now, in the warm embrace of nostalgia. That’s always been true, but never in my life has it been directed so westward. I’ve been remembering a road trip with two friends, a northbound drive up the coast of Oregon. On the left side of the Subaru Outback was the ocean, its sky-blue surface pierced by rock spires, irritating the water, turning it white and frothy. To the right were tree trunks drowning in thick, soft moss, stretching upward through a bed of dead stuffs rotting from the moisture in the air. The views were panoramic. Pristine beaches, oceans, and forests burdened with life as far as the eye can see. I’ve been remembering a hole my sister and I dug in our backyard. May brought snowmelt and our first ‘digging days’ of the season. We dragged shovels, a pick ax, gardening tools, rakes, and mallets from the shed to the backyard. The hole was sheltered between two huge pine trees and a medium-sized cottonwood. We kept a wooden stool back there too, so one of us could sit while the other hacked. The ground was always dry and unforgiving, though. Years of toiling amounted to a hole that was just a foot deep and two feet wide. I’ve been remembering time in the woods and on the edges of cliffs in the heart of the wilderness. I’ve been remembering spontaneous camping trips, screaming my heart out across mountain lakes, caves I discovered, piles of pinecones, and bike rides along rivers. I’ve been remembering all of this and more, because now that I’ve truly escaped my home, now that I have an apartment on the East Coast and no plans to cross over to the other side of the Mississippi any time soon, now that I’m living this life, I’m realizing I’m living the dream of the trapped, timid, resentful boy I used to be. And whatever I do, wherever I end up, whoever I become, and whichever path I choose, I’ll need wide open spaces, night skies overburdened with stars, and campsites miles away from any sign of life. I guess it’s just who I am.

A Love Letter on Losing Yourself

Mason Scurry
December 1, 2024

Your birthday passed a couple of weeks ago. I noticed. I did think about you. I didn’t text (but I debated) mostly because you hadn’t texted me for mine (two weeks before). I sent you a note. Did you get it? If not, it said I unblocked you. It’s hard to believe you happened, that we happened. We happened over a year ago. That summer, our time together, feels too big to fit into the bounds of a start and end date. But we did have a clear start date—a golden waterfall shrouded in fog, a kiss you started, a lit billboard on the side of the highway. We also had a clear end date—a night at one of our old places (this time there was snow on the ground), hours of tears because Ii was too late, calcified love, distance. You feel so far away now. I understand the connection between space and time, but not the distinction. I suppose that’s the point. Sometimes I wonder if we ever happened at all. More often, I wonder if we ever ceased to happen. I’ve been dreaming since our goodbye, I’ve been half-conscious, stone-faced and sharp-edged. The essence of me is still with the essence of you, still in Montana in your bed without a top sheet, still tangled on the couch and kissing your forehead, still holding the bouquet of wildflowers you collected, still walking hand in hand through my neighborhood at dusk. This year, my summer felt quick and small. Linear. Simple. Our summer was lumbering, gentle and limitless. I remember it all—a second date sitting on a stump by the old Story Mill when we were still new to each other, the tunnel under the interstate when I learned what it meant to be yours, 22 beaded bracelets (I still have them), chapters of handwritten love stories (I’m scared to search for them), how it felt to have my hands on the back of your neck. Part of me is there. It’s yours. It spans space and time, it defies all known laws of physics and biology and humanity, and it’s there. Still loving you. Still needing you. Still merged with you. Maybe this is how love, the worthwhile kind, works. When you fall in love you are briefly, gorgeously complete, when you fall in love you crack some and flow into another soul to become something you were not before. When that love is lost, that merged and mixed and altogether beautiful part of you snaps off and spirals away. It leaves a void, black and furious, one we smother in vodka shots and toxic self-affirmations and false denial, one we fill with bodies and shame and guilt. It ruins our lives for a while until we learn to adjust. Then, the void starts to shrink. We grow back into it. It heals over, we relearn how to exist, we think of ourselves in new, healthier ways, and eventually, we’re a ‘new person’ bursting with ‘self-love’ and emotional byproducts and the love that was once our entire world becomes insignificant. We marvel at how much has changed and how far we’ve come. We gawk at who we fell in love with. We look forward, and dream of someone better. And it stays that way for a while. Then, something starts to glitter through the fog of our carefully constructed explanations. We’re reminded of that first kiss. We realize we’ve kept some trinkets and letters we probably shouldn’t have anymore. We start sensing that somewhere, sometime, that same love we’d cast aside still exists in a very tangible way, and we are still engaged in it, affected by it, in a blurry sort of way. We know this because we can feel its presence. Its soft pull. We’re aware that part of us is missing and always will be. We’re left with a nostalgic peace, a gentle appreciation, sweet memories, and keepsakes. That is what’s left over, whether we’d like it or not. Part of us is permanently missing, because we once belonged to another person. Once, we opened our rib cages and let our hearts run free. Once, we had the courage to give it all up and throw it all in. Once, we fell in love, and that’s not something you can take back. And that’s the consequence of a life well-loved, that’s the consequence of a love well-lived, that’s the paradox of loving—when you give yourself to someone, you don’t quite ever get it all back.

A Shooting Star Some Decembers Ago

Mizuki Kai
November 21, 2024

1:00 The first shooting star I ever saw was in a Japanese forest. It made a scratch in the sky like a hand of a clock that goes tick, tick, tick. It pierced my past, my present, and my future; my skin, my eyes, and my being. My neck craned then, and now. I feel the sensation graze my scalp and crunch beneath my soles, and it is alive in transience and eternal in memory. It’s gone and will never be again, but there’s a comfort I take in its mercurial permanence. Because when I look up at the tips of the trees in Vermont, I see you at the very top, where the sky meets the cedar’s crown. It’s the same sky that held the first shooting star I saw. But there are many years and timezones and kilometers and miles that stand in between, and your entire presence fits in that window of time and space, and I cannot find it anywhere but in a part of me that I cannot prove exists. But isn’t it great? Because I don’t know where you are now, if you are alive, if you breathe, eat, read, love, do math, sing that one song, swim, or run laps around your house. But I know that you are here, in my existence, and I hear you laughing: and that is enough of you that I needed, then, now, and in the future. 2:00 She likes to tell me that my whole being used to fit within her palms. Those same palms can now fit the five fingers of my right hand but not much more. I’m holding that hand, pulling her behind me in the Gothic Quarter of Barcelona. I’m pulling her drunken hand through the Shibuya Scramble of Tokyo and her steady one through the Marshalls aisles in West Houston. The same hand she once stuck out at me and told me to slap because “she was a bad mama.” The same one that lifted me in the air in that video I digitized from 2003. The hand that I held at Lake Hope in Colorado at the end of our unexpectedly-tough hike. The same hand that once flipped through the 1998 yearbook pages that I’m flipping through now, on the second floor of her parents’ house in Japan, where everything but time exists. 3:00 There’s a car driving through the forest right now. Maybe it's the same forest where I saw my first shooting star, or maybe it’s the one that my uncle drove six years ago from Oita to Kumamoto. It’s probably the Nissan driving through a rainy Vermont. Soon, the Nissan will stop, the driver will sigh of relief, and he’ll tell me that we’re here. And I’ll grab the leftover McDonald’s and run to the backdoor through the wet grass, and I’ll feel the safest I’ve ever been in this bedroom that I’ve never been before. And he and I will discuss the significance of the joke at the beginning of the movie, and Sean McGuire will tell Will Hunting that we get to choose who we let into our weird little worlds. And even though my world has only existed here tonight, I’m glad that he’s next to me to catch my tears. 4:00 The only record of change in my mama’s childhood home has been carved into its inhabitants. His skin droops lower than it did the last summer that I shook his hand goodbye, and hers are chiseled with new sun spots. Here, dawn is quiet, and dusk is sacred. There are diaries in the language I no longer live my life in, nursery records of a past I can’t touch, stained photographs, expired stamps, Shinto altars, and morning-glories. The grandfather clock in the living room swings, ticking through our stay. With every year, its hands fall behind, but the path that the pendulum carves is the only straight line I’ve ever followed. 5:00 Do you remember me? I hope you do. I hope you remember my name. 6:00 Few things haunt me: the frog I accidentally stepped on when I was four, memories of yelling at my parents, when that girl pulled her eyes at me in the cafeteria, mistakes I can’t undo, the future, and death. The future haunts me before it’s here because I’m afraid my children will lose the only words my parents find freedom in, and death because it is the only thing that bends time. When my grandpa dies, so too will my ties to Japan. I see death in the orange and red leaves of Vermont autumn, in the freebie calendars my great-aunt hangs, and in the pictures of my ancestors above the altar in the formal room of my grandparents’ house. Fifteen years ago, I lay awake in this room on a futon next to my grandma. She asked me why I was crying, and I told her it was because I was scared to die someday. Because in that room, time feels so finite it suffocates you; it feels so solid that if I reached for it, I would feel it woven into the tatami. 7:00 He and I go to the Providence Place Cinema to watch Ghibli’s Spirited Away because he showed me Good Will Hunting, so I want to show him this. In the film, Chihiro wanders into the spirit realm where an evil witch takes her name away. She is now Sen, the witch’s worker whose mission is to save herself and her friend, Haku, by escaping this world. At the end, Haku reminds Chihiro of her real name, and Chihiro, of his. I cry because I resonate with Sen; I miss my life as Chihiro. I cry because even he doesn’t know me whole. I cry because I exist strictly in two identities, and never in both realms. 8:00 I have a habit of talking to myself in English when I need to drown unpleasant thoughts, but my mama once told me that I sleep-talk exclusively in Japanese. I sometimes hear my own voice, crying about a dream in a hazy consciousness, oscillating between reverie and reality. Yet, when I awaken I remember only fragments like a ghost of a light long extinguished, twinkling in a part of me that keeps time differently. As morning comes in Texas, the sun sets on Mount Aso. And just as dawn and dusk can exist in parallel, I’ve learned that I, too, can exist in twilight. 8:00 How many people have touched my hand? How many rivers has it reached for? How many pages has it flipped? My hand holds proof of change. The one that once grasped my mama’s pinky has since held much more in its palms. 9:00 During a video call over Thanksgiving break, my grandma asked me to create a family tree for my grandpa because he’s started to forget things: his breakfast this morning, our conversation last week, and the names and faces of his grandchildren. I choose from the years-old photos I have of my uncles and cousins and the most recent photos of my parents and brother to construct a concise web of our bloodline. My grandma’s pleased with the finished product. She tells me that she’ll print it out for my grandpa to study. 10:00 When I’m awake, I speak to myself not to create thought but to suffocate it. Asleep, I find clever ways of escape: I fly; I become invisible; I hold my breath; I forget. In my dreams, I am both diaphanous and free. 11:00 When I see stars, I get excited because it reminds me of how little I am, and how a rock or a glacier or an elephant could just crush my bones, and I will decompose and become nothing again except a littlest scratch in the sky, but hopefully, when that happens, someone will be craning their neck, too.

Notes From a Korean Girl Who Can’t Look in the Mirror for Too Long

Sia Han
November 18, 2024

i. I was a pretty child. The type of pretty that ensured that for every street of Seoul my mom would push me down in a stroller, there’d be a passerby who’d look over and begin to coo. “너무 예쁘다!” // “She’s so pretty!” “인형처럼 생겼어요!” // “She looks like a doll!” “남편이 외국사람이에요?” // “Is your husband a foreigner,” they’d ask my mom, excitement visible in their eyes. They were sure, after seeing my pale skin, light brown hair, and big, round eyes, that I was not fully Korean. Something different. Something exotic. Soon enough, my mom was offered a child modeling gig which she immediately declined. Her mother-in-law, though, quickly decided I was destined for greatness. Her plan for me was: Gain moderate success as a child model Go on to become Miss Korea Become a news anchor (as do most Miss Koreas because to be a female news anchor in Korea, you must foremost be pretty) Marry either a billionaire or actor Have 3 equally good-looking (grand)children I no longer live in Korea, speak Korean well, nor do I meet the height requirement to even enter Miss Korea. My hair and skin have darkened, my chin has jutted down and outwards, and my eyes have thinned like someone grabbed them by their edges and pulled. I like to think it’s my body trying to make up for lost time; That after years apart from my motherland, spent resenting my features and yearning for the cascading blond hair and blue eyes I saw on TV, it decided to take matters into its own hands. Nobody in America asks me if I’m a foreigner—they know. When I was younger, I used to have a nightmare. A nightmare that upon reuniting with her in Korea, my grandmother would hold me by the shoulders, look me up and down, and grimace. She’d shake her head, unable to mask the disappointment and pity in her eyes, and wonder where the future pageant queen she’d once held in her arms went. Now, I have a different nightmare. In it, I walk up to her in a busy airport and tap her on the shoulder. She turns around and smiles, it doesn’t reach her eyes. She opens her mouth. “아, 죄송한데 제가 아는 분인가요?” // “Sorry, do I know you?” ------------------------------------------------------------- ii. When I was 13, after carefully examining my face, my dad lovingly rubbed my shoulder and said he would pay for any plastic surgery I wanted after high school.z It’s a common tradition in Korea for parents to give their children cosmetic surgery upon graduation. To grant their child the gift of beauty and thus hope for a better job, marriage, kids, and life. At 14, my biggest wish in life was for the snipping tool from Microsoft to exist in real life. Within the comforts of my room, I’d trace my finger around the innards of my face and imagine the excess skin and bones outside the small, delicate outline I’d drawn, completely melting off. I’d bring both index fingers up to my face and starting from right below my ears, drag them downwards till they met at a perfectly pointed V. Instead, I simply settled on waiting for my 18th birthday. I spent hours standing in the mirror—poking, prodding, and pulling back skin, trying to envision what my new face would look like. I had a checklist of all the operations I was planning on undergoing. Ones that would rid me of my giant forehead, monolids, slightly crooked nose, and sticky-outy ears (which earned me the affectionate accolade of “Dumbo” from my parents). But the one I anticipated the most was the one that would fix my long and “manly” chin. It was the one my dad anticipated the most, too. We were lying next to each other when I turned to him to ask what we’d eat for dinner, and he lightly caressed my jaw. With a sad smile reserved for funerals of distant relatives or whenever I cried, he looked at me and wistfully said, “You’d be perfect if it weren’t for that chin.” When I brought it up to my mom a few days later, she told me it was because he felt bad. That he felt guilty for passing on his chin to me. “The surgery, it’s- it’s his way of apologizing. Of making amends.” My dad was also a pretty child. Pale, round-eyed, and rosy-cheeked, he had been adored by everyone around him. By the time he’d entered high school, his hair and skin had darkened, his chin jutted down and outwards, and pimples littered his face (I often poked my fingers inside the small, lasting dents they’d left on his cheeks). His face had morphed into one unrecognizable from his past but eerily similar to mine. With my head in her lap, I pushed down a bubbling wave of guilt in my stomach and looked up at her. “What if I turn out like… him?” I felt her fingers scour my scalp, looking for new gray hairs to pull out. “You won’t. Everyone is ugly in middle school. They’re ugly as teens and become pretty in college.” “You don’t know that!” “I do. And it’s different for girls anyways.” “But what if it doesn’t get better? What if I’m…” I swallowed down a wave of horrible discomfort and near nausea. “Then you learn how to do makeup. You learn how to style your hair.” “But I don't want to do that. I want to naturally, like really be—” “Then get surgery.” I fell silent at the agitation in her voice. I yelped as she pulled out another hair. She sighed. “Why do you have so many? It’s because you’re stressed. Don’t stress about this. You’ll be pretty in college, that’s what happens to girls. Remember, beauty is pain.” ------------------------------------------------------------- iii. I always imagined that once I turned 18, something big would happen. The kind of movie makeover metamorphosis that nerdy girls in chick flicks from the early 2000s always underwent was the stuff of dreams. The idea that I had had some special, transformative beauty inside me all along, waiting to be unlocked and revealed to the world, had been what had kept me going all those years. I’ve grown a little taller and no longer look (as much) like a child trying to wear an adult’s skin, but to be honest, I don’t think much has changed. One of my better life realizations is that trends are Cyclical Complete bullshit. As of late, complaints about my giant forehead have been met with a stream of scandalized Korean. “What? You know how many people would kill to have a forehead like yours?” “Yea! People pay thousands of dollars for a forehead like that and you got it for free! You have no idea how lucky you are.” I wish I had something to say back to them. I wish the idea of having something “people would kill” for, didn’t make me feel giddy. I wish that a good or bad hair day wasn’t enough to make or break my whole week. Last night, my mom apologized. She said it was her and my dad’s fault for obsessing so much over my appearance when I was young. She compared me to a war general, yearning for the glory-filled days of his past and struggling to accept the invisibility of mundane life. “You wouldn’t care this much if you'd just been ugly.” I insisted that she was wrong, that my lifelong fear of becoming the reverse ugly duckling would’ve been there anyways, was always there. She shook her head and brushed strands of hair out of my face. “Someone who’s never had it, won’t care. But with you, it’s like… it’s like you fell in. You fell in and you’ve been trapped ever since.” If there’s one thing those chick flicks got right, it’s that insecurity never really goes away. Except now, instead of a constant, merciless barrage of waves, it’s ripples in a pond. They’re easier to ignore but they linger. All it takes is one small rock, a bad selfie or a glance in the mirror that lasts a little too long, to set the whole pond in motion. I had a dream, a new one this time. I stand in a white room brimming with emptiness. A man who radiates the feeling of being the only person in the room in on a joke stands behind me. He casts no reflection in the mirror. He hands me a scalpel and nudges me forward. As I step closer, I think to myself that I have no idea what I actually look like. My left eye is lower than my right. This is my face. My hairline is shaped like the East Coast. This is the face I was born with. My chin is too long. This is the face I will die with. I close my eyes and tenderly clutch the scalpel’s handle with both hands. I press the flat side of its blade against my cheek. It’s warm.

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Sole Magazine was created to provide the Brown community with entertaining and informative feature writing about true events, people, and experiences but without the stylistic restrictions of hard journalism. We aim to tell interesting stories in interesting ways, using techniques of characterization, description, and theme, while experimenting with structure and tone to produce creatively crafted narratives.

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Nicholas Miller '24 (he/him)

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Nicholas is from Baltimore, Maryland who concentrated in English Nonfiction and Portuguese and Brazilian Studies. He has a fondness for his mini soccer ball, midnight snacks, reporter’s notepads, and the smell of books. He also likes to learn things and write about them. #goat