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In Memoriam Iuliae

February 19, 2026
Luca Raffa

In Memoriam Iuliae I It was a late afternoon during mid-March in Toronto. I remember the grey clouds brought rain-drops, and puddles, and stillness into the world so as to reflect the quiet miseries and mysteries of life. Gloom hung in the stench of the muggy air and clung to the back of my mind. The heavy lake clouds acknowledged our melancholic mortal condition and the curse of suffering we each bore as trespassers in the ailing world. The indifferent pour of rain and the growling roars from above prophesied tragedy. Beauty was melting. Beauty, like the way the golden sun loved the sky, was as brief as perfection and drowned in tempests. Yet beauty was also like the fleeting touch of calm rays, the emerging yellow after misery. I was six years old and did not understand neither misery nor beauty. She was sleeping peacefully on Mom’s lap, Dad beside her, Gabriel and I sitting on the floor. Mom said that her heartbeat did not rhyme with its usual rhythm, and she soon lay as heavy as marble in her lap. Mom was so young. She sent me and Gabriel upstairs to wait, and we watched in the dark as blue and red lights brought us to the windowsill. An ambulance arrived, and I remember the funeral smelling like lilies. II I could never understand you. All you could say was ma. The thoughts which you could not speak would rupture into your violent yell, but your hands tried speaking to me a million words: you would put your hand to your mouth as if to blow a kiss, as if to say I love you. I wish you could have seen the smiles on my face. You were rough and free and would rock back and forth in a trance, shattering ice or a glass cup on the living room floor when you were happy. I remember you as biting, vomiting, and moaning. But you were also the clink and clatter of keys which you would jingle and the glow of carols on your radio—you were the scratches on those CDs. You were laughter when Mom read Robert Munch’s picture books, the hums of Silent Night, and the sweetness of cream of wheat, the things which you loved most. You were the familiarity of the green couch and drowsiness. I remember you as soft blankets, pink sweatshirts, and stretchy hair-ties. Your long, black hair was wild against the stillness of your cold white hands. You were syringes, and medication, and wheelchairs—the nurses’ only patient. You were never-ending doctor’s visits and hospital visits, Christmases that brushed against death, the numb headaches and tears of your loved ones. You were youth, and joy, and beauty, and sickness, and misery, and death. You were my confusion. III Mom and Dad fled the life where Julia lived for sixteen years and brought me and Gabriel to America, this continental haven where families could be reborn. Time kept me away from the places of the past, and the vividness of Julia’s memory rusted inside me. I would begin to forget her. But her presence would never leave me. At the bottom of the eighth inning of my first Red Sox game, the happy crowd’s chant bum bum bum resurrected Julia: the memory of a happy little girl on her father’s lap singing Sweet Caroline appeared in my mind and wet my eyes. This pleasant twinge of Julia’s memory in my heart comforted me, though. Today when I feel this strange tickle and think about Julia’s story, I remember that I have witnessed a miracle. In her short life, Julia illuminated beauty and defied the weary miseries of the world. As a proud brother, I am compelled to follow this light and to seek beauty in the world.

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Entrance

Sara Harley
March 5, 2026

Second floor, end of the hall on the left. As I turn the dented brass door knob, the wooden door creaks open, revealing the narrow expanse of my high school door room. It’s just after seven o’clock on the night of my eighteenth birthday. Setting my ratty canvas tote aside, I find a seat on the old carpeted floor and wait for the day to spoil. The silence feels like another reminder of the passage of time. Only seniors can live in single rooms. After spending my early teenage years sleeping next to strange roommates with foul-smelling microwaveables, I usually cherish privacy. But today, I’d shower in shrimp–flavored ramen for propinquity. My roommates and I almost never spoke, but I wish for closeness. I moved away from the hills of northern California to go to boarding school a few months after I turned fourteen. My high school is only a three-hour drive south—two and a half, if you’re lucky—situated in a little beach town. I left because I loved school perhaps a little too much. This is my fourth year living in dorms. Surveying the walls, the dark wood and cream-colored paint are dotted and scratched with age. Decades of Command hooks and adhesive sticky tape marks cover the walls. I had tried to cover the age by hanging family pictures and post cards from art museums, but they don’t quite fill the gaps. I know that when I try to gently pull them from the walls next month, they’ll just add to the defaced paint—an enotropic right of passage. No more than a hundred square feet, it’s a shoe box, but transitively mine. I wander over to my beige vinyl desk. Opening the center drawer, I peer down at the names Sharpied onto the wood: Callie Harris from ‘07, just-Maggie from the year 2000, and dozens of other signatures from women who have lived in this very room. Over the years, signatures have accumulated all over campus—written inside gym lockers, carved into the wooden tables in the dining hall, and even painted in acrylic on secret cervices in the art room—from students trying to make their mark. Some signatures are more elaborate than others, with flourishing cursive capitals and consonants; others write over previous students’ names with bold, confident letters; but most of the inscriptions are small and neat like good Catholic school girls. The ink on my drawer is beginning to bleed from accidental splashes of water, blending shades of the blue-ish black, red, green, and pink into monolithic brown. Pushing away a stack of Post-it’s, I uncover the signature of Sharon Wallager ‘90 written right in the center with big, calligraphic letters. Who was she? I almost Google her, but decide against it. Better not to kill the mystery. The way somebody signs their name can tell a lot about a person. Personal marks that seem to say I was here. During middle school, many of my friends practiced theirs like a mantra on scrap paper. Every time my dad pays for dinner, his pen makes the same scratching noise—slow and curled, and then finishes with a lick. Whenever I sign documents, I gulp and try to write my first name in haphazard cursive as quickly as I can, hoping to make a similar noise as my dad. The desire to create a signature feels so masculine. My unquenchable desire for a gold star makes me nervous to sign my name, and yet, I feel compelled to do so anyway. It's times like these that makes me regret never designing a signature. The permanent pen feels permanent, too irreversible, without an autograph. Except for a handful of dorm faculty, like my Welsh world religions teacher, I doubt anybody will see the signatures but those who will live here after me. One of these days, I’ll find a secret spot and sign my name to the drawer like a yearbook that will never be finished— a lineage that I’ll never know but feel everyday. Across from the door, a mirror and a window hang over my desk. There are fingerprints on both from careless mornings. Peering into the mirror, I often like to imagine the reflections of previous tenants looking back at me. My high school—a Catholic college prep school for girls—opened in 1950. I can see my hair cut into a little gauche bob curled at the bottom. My plaid uniform kilt is a few inches longer, but my collared shirt still has the same little embroidered crest on my left collarbone. I think I would’ve been more graceful had I been born then, but I would’ve despised home economics. Making up stories makes me feel less guilty for forgetting to buy Clorox wipes. Sorry, dad. Seeing myself now after another year under the beating sun, I notice how my reflection has changed: my jaw appears narrower and the skin around my cheeks grows drier from the chlorine at swim practice. The inertia of my fleeting youth and the inevitability of getting older scare me. Rubbing the delicate skin around my eyes, I wonder where time has gone. The friction against the glass proves pointless. My physics teacher pops into my mind and reminds me that an object in motion stays in motion. The sun is beginning to set. Looking out the window, the light begins to fade in the distance from golden to pink and orange. At least the sunshine appears to be doing the plants some good. Leaning against the side of the window between bookends are miscellaneous copies of Dover-edition Shakespeare plays, a highlighted Camus, my diaries, a little whiteboard for Spanish verb conjugations, a few old print copies of the New Yorker, and about a dozen classics that I hadn’t read, but made me feel smart for owning. The curtains around my window are barely worth mentioning, except for the fact that they’re light blue, come with the room, and just a little too ugly to be cute. I cast a glance at my two ferns, a pothos, and an old ivy sitting in front of the glass. They’re beginning to take up more space than I can manage. My newest addition is a baby fern from my biology teacher after the national exam. No larger than an espresso mug, I have a bad habit of smashing its little stalks between the pages of my colossal biology textbook, so its pointed leaves have dried yellow and brown spots, instead of dark, judicious green. The rest of them are from a bookstore with a plant atrium in the back. I loved going there during my freshman year on the weekend shuttle—a school bus that looks like half a stick of butter—going south toward the beach to pick out their pots from an eclectic selection of cat heads and funky colors. I picked out white ceramic ones because they had little drainage holes in the bottom, and I have an overwatering problem. I grab my neon orange water bottle named Jamie from on top of the dresser beneath the mirror, unscrew the leaky cap, and divide whatever's left between the four pots. It couldn’t hurt. I thought the ostentatious color would help me not forget him places, though my swim coach and the upper school office would say otherwise. Evoking moans and groans from my friends, he became a micro campus celebrity as a result of the many places I’ve left him—leaning against classroom desk legs, sitting on the edge of the pool deck, hiding under a pew in the campus chapel. Covered in stickers, I can just make out one from a coffee shop nearby—a little tandem bike with a rainbow surfboard. There’s another from a family trip to southern California, one from an affirmative action political protest with flowers in the shape of ovaries, and a few gifted––and a couple stolen––from friends. After dropping Jamie in the rain, bonking him on the side of desks, forgetting him on the pool deck, and letting him fall out of the side pocket of my equally defaced Northface backpack his once-smooth surface has become disfigured. Even so, his scratches and dents make him feel like mine. I decide to return to the floor. Grounding myself beneath the sterile ceiling lamp, I slouch against the linoleum drawers below my sleeper-sofa twin-XL. The cold artificial, blueish-white hue is dissatisfying. Through the semi-translucent light shade, I can see a spotted graveyard of dead moths. Only a month before graduation, I felt the room had already begun preparations for my departure. I notice a thick humid haziness gathering in the cubbyhole-sized space. I couldn't help but feel the room was moving on without me. If I really squint, I can see the brownish carpet is composed of different shades of blue, maroonish, and mustard threads, hiding decades of soda stains, hair, remanence of rumpled pastries. and loneliness. Leaning my head against the mattress, I feel the arms of my dad’s old sweatshirt graze against my back, sticking out from the plastic drawers from below my bed. I have a bad habit of chucking soiled clothes in the closet when I’m in a hurry, which pull my neatly hung dresses down with them. Toss in damp, miscellaneous pool equipment from swim practice and you’ve got a party. The soft cotton stitches of my multicolored hippie quilt pull tighter. After a long morning of celebratory phone calls and texts chock-full with emojis, my phone finally stops glowing. My friends are retired in their rooms to prepare for our last round of exams. Bending my knees toward my chest like a child with a stuffed animal, I settle my phone in my lap. Scrolling, I look up at the popcorn ceiling and back down again, waiting. For what, I wasn’t quite sure––everyone I hoped would text or call already had. Swiping between videos from politics to celebrity drama to cute dogs in little hats, the distractions weren’t distracting enough. Finally, I open my photos app instead, and begin to look at old photographs from my childhood. I was born on the first of May—May Day—a holiday marked by flower crowns and ribbons. I remember that time of year best during elementary school. The school year would be almost over, the blacktop would begin to make a mirage again from the growing heat in the afternoon, and the grocery store watermelon would finally stop tasting so mealy. I share my birthday; I have a twin sister, but boarding school is so not her thing. Since I left, we haven’t spent a birthday together for years. My dad loved to throw shared birthday parties for my twin sister and I. Shared cake, shared cards, shared friends. We both secretly wished we could have separate celebrations, as if to somehow prove we were, in fact, separate people. Luckily, we’re fraternal. I remember sitting side by side at the kitchen table while our family sang happy birthday off-beat––two names instead of one. She hated the song, but I loved looking at how our dad smiled when he sang to us. As kids, I think we both believed sharing a birthday somehow meant we were half as celebrated. But every year since I left for high school, I find myself reminiscing about her, wishing she’d teleport. I realized she was the celebration. On our eighth birthday, we invited both of our elementary school classes to a tropical-themed party. There were rainbow balloons, cut fruit, heavy water guns, cupcakes, and inner tube galore. Our friends screamed and laughed, wearing dark Nike swim shorts and flower patterned cover ups. Rays reflected off the pool and made our skin glow. As the afternoon sun waned, it was time for my dad’s pièce de résistance: the watermelon relay race. I loved being competitive, but I had, and still have, terrible stage fright. Standing at the ledge, we were divided into two teams and organized into lines. “Sara, why don’t you go first?” My dad asked, smiling. He still has the pink polo he was wearing then. “Do I have to?” “Come on—it’ll be fun! Here, take this.” While he was trying to downplay it, my dad asked me to go first because, well, nobody else wanted to. I can’t remember who started the other team. But then, materializing seemingly out of thin air, he handed me a gargantuan watermelon. Hugging it to my chest, my arms ached from its weight. I prayed my melon wouldn’t split in half and put on my best game face while my dad walked to the other side of the pool to referee. Yelling, he told us to swim—there and back! The victorious team won stickers and first dibs on dinner. Raising his fingers for the countdown, I prepared to jump. 3…2…1… But looking back at cupcakes and sun-kissed cheeks on the boundary between adolescence and adulthood, getting older feels like nothing to celebrate. I remember when I thought my childhood would never end, when I thought being seventeen would mean lockers, boyfriends, and house parties until three. My seventeen looked more like study hours from 7:30-9:30 monitored by the dance teacher, Accutane, and mandatory mass on Sundays. A transitory age, the ordinariness makes me feel like I took the fast track to adulthood. The curve in my spine begins to ache against the bedframe. Setting my phone aside, I watch the setting sun’s rays stretch through the window like a cat arching its back. As I reach for the door, the aged wood shines. After so many years of chipping, knocking, and jamming, the ridges of the smoothed trunk still glow bright beneath the worn varnish. Sliding on my dad’s rubber sandals, I wander back down the hall again.

Across the Atlantic and Back

Maison Texeira
February 19, 2026

1975. Shirley dreams that she’s at her job, working behind the counter at a small bar called the Devon in the seaside town of Hartlepool, wearing a white T-shirt with a Penny Farthing bicycle on it. A handsome guy walks in with a lovely smile, brown skin, and jet black hair. They talk for a while, until she wakes from the dream. A few weeks later, Shirley sits behind the counter at the Devon, wearing the same white T-shirt, only this time she’s awake. That’s when the man of her dreams walks into the place and asks her for a drink. They talk for a while, until he and his crewmates are called back to the ship, and he leaves to set sail once again. The man of her dreams, otherwise known as Big Manny, comes back to visit Shirley occasionally. Eventually, he makes her a present: a Penny Farthing bicycle made out of nails driven into a piece of wood. She loves it, and soon enough, he comes over to stay with her and the son she’s been raising by herself. They live together, but not really; he’s away most of the time, cooking delicious meals for hungry sailors adrift on the merchant ships. When he’s back home with her, they go to the disco together, boogieing all night to Earth, Wind, & Fire, the Stylistics, and Donna Summer. They’re spectacular dancers; they can do the Bump, the Hustle, they can Rock the Boat, and everything in between. Today, Shirley is still a spectacular dancer, but she tells her grandson that nobody could dance like her husband used to. Her grandson wishes that he’d inherited some of their dancing genes. ~ 1977. Shirley and Big Manny have a child together: a chubby, white, red-haired boy whom they also name Manny, otherwise known as Little Manny. Five years later they have another, a brown-skinned girl with black hair whom they name Maria. They carve out a life in Hartlepool, with Shirley taking care of the kids and Big Manny continuing to live out at sea, coming home for one month out of every year. Hartlepool isn’t always kind to their family, being one of few mixed race families in the town. One time, a boy throws a brick at Maria’s head and calls her the N word, and Little Manny fights back by throwing several bricks at his head and beating him up. Little Manny gets into tons of scraps with other kids, but most of them are with his older brother John, who torments him — and loves him — like no one else. John can beat Little Manny up all he wants, but as soon as anyone else so much as lays a finger on his younger brother, he shows up to break that finger, as well as maybe an arm or two. Little Manny also has many girlfriends growing up, but his first true love, the one he’ll someday meet and bear a child with, is all the way across the Atlantic, in a country he’s never even heard of. ~ 1986. In the third-world metropolis of Belize City, there lives a woman named Vianney who is raising her daughter Melanie and her infant son Sergio. Melanie is a feisty young girl, running around the city with her younger cousin Camille. The city is their oyster, and yet it is also a dangerous place. This is a city where old men carry crocus bags and use them to try to catch young girls, which almost happens to Melanie and Camille one day. This is a city where watching a woman almost drown in the canal is nothing unusual, at least not to the wide, curious eyes of little Mel. And worst of all, this is a city where Tataduende, the dastardly dwarf with backwards feet and a penchant for stealing children's thumbs, is believed to roam from time to time. Melanie often conceals her thumbs within her fists when she walks about. This is a city of peril and poverty, yet Melanie only sees the wonder of it all, especially in the big, gaping eyes of the kittens she and Camille find at the corner store. They bring the kittens back to their great-grandmother Mims, who had asked them to get her some tea bags, not these adorable kittens. Mims explains that Melanie and Camille have failed to consider the fact that they are very, very poor. How are they going to feed these kittens? ~ 1989. Shirley and her family decide to move to the United States of America, on the Northeast coast of New England. That’s where most people who left Big Manny’s homeland of Cabo Verde have wound up, and it’s where his two sisters and most of his brothers call home. Little Manny, Maria, and John all enroll in school, where Little Manny is scolded for staying seated during the Pledge of Allegiance. “I don’t pledge allegiance to this country,” he says to the teacher. They do American things, like going to McDonald’s, where John tells Maria to give him all of her fries because he heard that “McDonald’s supports the Irish Republican Army.” Little Manny makes lots of friends, who come to know him as “English Manny,” and his accent makes him a catch with the girls at his school. He and his friends live on the edge, riding their dirt bikes through abandoned factories and going toe-to-toe with each other in bareknuckle street brawls. Shirley misses England dearly, and later admits to her grandson that she never wanted to move to America. When she returns to her home country for the first time in twenty years, she finds that it’s no longer the England she remembers. ~ 1989 (still). The same year Shirley and her family move from England to the Americas, Vianney and her 9-year-old daughter, Melanie, move from the Americas to England, while Sergio stays behind with his Dad. Melanie is excited, her little Caribbean mind imagines England as the land of fairytales and royalty. When she gets there, there aren’t any fairies, and she doesn’t meet any princes or princesses, but she does find things like clean sidewalks, dentists, rubbish bins, and street sweepers — luxuries that didn’t exist in her home country of Belize. They’ve moved here because her mother has married an English army man, who hits her and calls her names. He is sent to Iraq for months at a time, and Vianney and Melanie savor these months without him. Vianney begins to know England as home, much more so than Belize, which is slowly becoming a much-desired tourist destination for its beautiful sandy cayes. While talking to her grandson many years later, she laments that the Belize she knew as a child is gone, and that the Belize where snotty American tourists spend their winter holidays is not the Belize she wants to return to. ~ 1997. Little Manny, who is no longer little anymore, travels back to England frequently, attending raves where DJs play techno, trance, and house music as a pulsating sea of people dance. At one of these raves, Manny lays eyes upon the most beautiful girl he’s ever seen. Manny approaches the girl and asks her name, which she says is Melanie. They strike up a conversation, and he asks her if she’s seeing someone. She says she’s seeing a guy named Danny… who just so happens to be Little Manny’s best friend. Nevertheless, they form a friendship that blossoms over the years. Manny spends his early 20s living many lives. He lives one life as DJ Synista, renowned in the Providence nightclub scene for spinning techno records that transform empty Brown University halls into living, breathing dancefloors, where college students boogie their cares away. He lives another life in Tenerife, a married life, one that somehow survives for some time after his pet ferrets devour all of his wife Eleanor’s gerbils but still ends in an unceremonious divorce. Eventually, Big Manny’s son moves back to Rhode Island, where he continues his usual escapades with beautiful women — all of whom he completely drops after convincing Melanie to come fly back across the Atlantic to the States, where she’ll live with him. In the meantime, Big Manny takes up work in the restaurant business. He becomes the head chef at Cantina di Marco, a cozy Italian restaurant in Cumberland, RI, of which he will soon become the sole proprietor. He’s finally found a home for his five-star cooking after many years traversing the globe on merchant ships. Cantina di Marco becomes a second home for Big Manny and his family, a second home populated by strangers who come through its double doors to dine, drink, and mingle. These strangers don’t see the inner workings of Big Manny’s crowded kitchen, where chefs toil over stoves and chopping boards, but the savoury flavor of his signature prime rib or his alfredo linguini speaks volumes to the culinary brilliance hiding behind the kitchen’s swinging doors. ~ 2025. Manny and Melanie are no longer together, but they have an unbreakable bond that’s lasted twenty years and looks a bit like both of them, with his mother’s hazel eyes and his father’s round head. Their son, Maison, was once a wide-eyed little boy with an afro, sitting on his father’s knee as Manny recounts the moment he met his first true love. Now, he’s a young adult, carrying the stories of his parents and their parents with him wherever he goes. His grandad, Big Manny, lives on in his memories. He remembers Cantina di Marco as though it never closed down, remembers sitting in a trolley with a big grin on his face as Big Manny pushed him around the parking lot, remembers chilling at home with Big Manny as they munched on bananas and pretended to be monkeys. As a young adult, Maison will one day find himself writing a creative nonfiction piece about how his family came to be. He will write this piece in his now-retired grandmother Vianney’s back garden as she reminisces in the kitchen with her daughter, laughing about Melanie’s escapades in York. He will write this piece while sitting next to his mother Melanie and asking her what her life in Belize was like. He will write this after having spent several weeks with his father Manny, who’s back in England after all these years, now living happily with his second love Chantelle. He will write this for his family, a family which is, quite literally, beyond the wildest dreams of a young English girl working at a bar in the quiet seaside town of Hartlepool.

In Memoriam Iuliae

Luca Raffa
February 19, 2026

In Memoriam Iuliae I It was a late afternoon during mid-March in Toronto. I remember the grey clouds brought rain-drops, and puddles, and stillness into the world so as to reflect the quiet miseries and mysteries of life. Gloom hung in the stench of the muggy air and clung to the back of my mind. The heavy lake clouds acknowledged our melancholic mortal condition and the curse of suffering we each bore as trespassers in the ailing world. The indifferent pour of rain and the growling roars from above prophesied tragedy. Beauty was melting. Beauty, like the way the golden sun loved the sky, was as brief as perfection and drowned in tempests. Yet beauty was also like the fleeting touch of calm rays, the emerging yellow after misery. I was six years old and did not understand neither misery nor beauty. She was sleeping peacefully on Mom’s lap, Dad beside her, Gabriel and I sitting on the floor. Mom said that her heartbeat did not rhyme with its usual rhythm, and she soon lay as heavy as marble in her lap. Mom was so young. She sent me and Gabriel upstairs to wait, and we watched in the dark as blue and red lights brought us to the windowsill. An ambulance arrived, and I remember the funeral smelling like lilies. II I could never understand you. All you could say was ma. The thoughts which you could not speak would rupture into your violent yell, but your hands tried speaking to me a million words: you would put your hand to your mouth as if to blow a kiss, as if to say I love you. I wish you could have seen the smiles on my face. You were rough and free and would rock back and forth in a trance, shattering ice or a glass cup on the living room floor when you were happy. I remember you as biting, vomiting, and moaning. But you were also the clink and clatter of keys which you would jingle and the glow of carols on your radio—you were the scratches on those CDs. You were laughter when Mom read Robert Munch’s picture books, the hums of Silent Night, and the sweetness of cream of wheat, the things which you loved most. You were the familiarity of the green couch and drowsiness. I remember you as soft blankets, pink sweatshirts, and stretchy hair-ties. Your long, black hair was wild against the stillness of your cold white hands. You were syringes, and medication, and wheelchairs—the nurses’ only patient. You were never-ending doctor’s visits and hospital visits, Christmases that brushed against death, the numb headaches and tears of your loved ones. You were youth, and joy, and beauty, and sickness, and misery, and death. You were my confusion. III Mom and Dad fled the life where Julia lived for sixteen years and brought me and Gabriel to America, this continental haven where families could be reborn. Time kept me away from the places of the past, and the vividness of Julia’s memory rusted inside me. I would begin to forget her. But her presence would never leave me. At the bottom of the eighth inning of my first Red Sox game, the happy crowd’s chant bum bum bum resurrected Julia: the memory of a happy little girl on her father’s lap singing Sweet Caroline appeared in my mind and wet my eyes. This pleasant twinge of Julia’s memory in my heart comforted me, though. Today when I feel this strange tickle and think about Julia’s story, I remember that I have witnessed a miracle. In her short life, Julia illuminated beauty and defied the weary miseries of the world. As a proud brother, I am compelled to follow this light and to seek beauty in the world.

Trends: A Sole Collection

Lucy Kaplan, Juliet Corwin, Riley Stevenson, Elsa Eastwood, Ava Satterthwaite, Annabelle Stableford, and Anika Weling
February 12, 2026

In my youth, a jar of pickled herring claimed the back right corner of the fridge. I can’t quite point to my father’s Jewish ancestry as the reason; it seemed more of a personality quirk that compelled him to crave tangy fish on a seeded cracker before his three o’clock nap. My brother and I followed suit, curious eaters tempted by scores of gefilte fish and gravlax at break fast, Passover, and the occasionally attended Saturday service. On weekends, we grabbed bagels with whitefish from Lenny’s, a half-decent deli we remained loyal to for the name it shared with our late grandfather. Not the finest in the city, but every New Yorker knows that the best sandwich comes from the place around the corner. After our westward relocation, my appetite persisted. No longer able to race down the stairs and across the street to satisfy my hankerings, I stacked the cupboards with tinned fish of my own choosing. Smoked sardines in olive oil, thinly filleted mackerel, salmon preserved with lemon—a hazy ode to New York winters gone by. Salt and sour clung to the walls of our kitchen, reminiscent of the mom-andSole ME copy 25 copy (3).inddc 14 trendy to forget to eat. Somewhere around fifth grade, I think. pop shops we once frequented. This one, our own. When I left home, I folded my f ixation into my suitcase—not a trend, but a history. I etched a pair of salmon onto my upper thigh, drawn with a dark ink that felt like blood. A finelined reminder of Passover and Grandpa Lenny and my father’s pickled herring. Last month, I remember in health class, how my teacher told us about thigh gaps and how to check if we had them. After class, a group of us stood in a circle, touched our ankles together, and prayed for emptiness. We’d skip meals and then skip SILENT HUNGER WAS THE LANGUAGE OF THE STRONG. “ ” JU LIET CORWIN I stopped dead in my tracks at a familiar crosswalk in New York. There it was: the closure sign in Lenny’s window, dated two years prior and peeling at the edges. My stomach roiled as the word imposter came to my lips. I was sulking in a city that held my past and escaped my future. That same week, my father sent me a pair of winter boots, a tin of smoked f ish stuffed inside the left footbed. Somehow, he knew I was mourning. Sweet Girls By Juliet Corwin I try to remember when it became 14 rope during recess. When we got lightheaded during P.E., we’d lie and say we had cramps. (Most of us hadn’t started our periods yet.) When our bellies grumbled in class, we’d pretend not to hear it. We’d look at magazines of flat stomachs in low-rise jeans and poke at our pudge. We bragged about how long we could go without eating. We’d sneak chips and cookies when the others weren’t looking and hope the crumbs didn’t leave a trail. To eat was to be weak. We couldn’t give in to the gnawing. Silent hunger was the language of the strong. It became honorable to ache for food, a rite of passage into the womanhood we so desperately awaited. 11/26/25 4:46 PMAnd nothing could taste as good as skinny felt, right? I remember the shame that blushed at my cheeks after I caved and ate the pasta and chicken that my mother had lovingly cooked for me. On-Campus Observations From An Off-Campus Oyster Farmer By Riley Stevenson To be on a college campus is to be surrounded by trends. Spend fifteen minutes on the Main Green and you’ll see a dozen micro-trends, some here to stay and most bound to disappear into the backs of closets; new accessories worn in creative ways over ever-lowerslung jeans held up by a kaleidoscope “ HIS WORLD IS ONE OF SALT, FROST, AND FIREWOOD, OF WEARING THE SAME MUDCAKED SWEATSHIRTS TO WORK AND SEEING THE SAME FLEECECLAD OLD PEOLE IN OUR SMALL MAINE HOMETOWN. RILEY STEVENSON of belts all turning to dust. My boyfriend is an oyster farmer from a small town in Maine. His world is one of salt, frost, and firewood, of wearing the same mud-caked sweatshirts to work and seeing the same fleece-clad old people in our small Maine hometown–a life without much room for personal expression through trendy clothes. Observing the trends of our campus is his favorite activity when he comes to visit. He walks into the Blue Room, sympathetic to all of the college students hunched over their laptops, buys a coffee, and sits on the terrace overlooking the Green, noticing. As a freelance journalist and astute business landscape rendered big bands unviable. It died again in the 60s, when bebop became esoteric and cerebral, a “musicians’ music”. Young people wanted to rock instead of think. It went out with the Old Guard—with observer of the human condition, he is uniquely primed to note and catalogue, dedicated to his craft of perceiving what has changed since he last stepped foot on both this and his own college campuses. After I am done with class “ he barrages me with questions and commentary about what he’s noticed, like an off-duty WE MAY TALK OVER IT AT COCKTAIL PARTIES, LET IT WAFT OVER OUR HEADS IN ELEVATORS, BECAUSE WE, LIKE THE YOUTH OF THE 60s, HAVE ENOUGH TO THINK ABOUT. WITH MUSIC, WE SCROLL AND SKIM SURFACES. anthropologist, notebook in hand. He is excited, irascible, brimming with observations, seeking confirmation, ever-excited by his day’s work.“Does anyone here use a backpack anymore? Could the jeans get any baggier? Do you think anyone wants to buy my pre-paint stained Carhartts?” I shake my head at him and laugh, knowing the questions are the fun part, their ” answers irrelevant. We walk through the Green hand in hand as he tells me about his findings. I marvel at the ELSA EASTWOOD ” Armstrong and Ellington, Billie, Dizzy, and Dexter—and again with Bird, Monk and Miles, with Wayne and Coltrane. They say we’ve succumbed to the musical Big Mac of commercial pop, and not even Wynton Marsalis can bring us back. I believed them. Then last year, I won a ticket through an Arts Institute lottery to see Jon Batiste in concert. I never win anything on that website. I knew him only as the bandleader on The Late Show, but I had to go. Arriving at the venue just before 7pm on a Thursday, I stepped past a nauseatingly long standby line of fans clutching setlists and trading deep-cut references with fervor. I recognized some from my music theory courses and offered a few guilty waves over worlds we occupy, the observations that allow us to see how others see their world, how lucky I am to share this world with someone as thoughtful and observant as he is. Jazz is Dead By Elsa Eastwood They say jazz is dead. It died first after World War II, when a changing 15 my shoulder as a woman scanned my ticket. I chose a seat in the very front, just beneath the grand piano—the piano on which my jazz hero would perform a reharmonized “Star Spangled Banner” unlike anything I’d heard. His expansive fingers stretched across the keys like vines, entwining gospelinflected voicings with modal color, face contorting in testimony. His was a music of lineage and remembering, pain and power, the improvisatory human experience; a music that traverses valleys and wades through Sole ME copy 25 copy (3).inddc 15 11/26/25 4:46 PM“That’s the trend, Mom.” rivers, moving through space and psyche. It was sacred and lyrical, percussive and raw. Creation and truth-telling unfolding in real time. The arrangement lasted 15 minutes. Standing with the crowd, hand to heart, I soon shook with tangled sobs of peace, joy, and heartbreak at what felt like the most perfect convergence of sound and history. The old and patriotic, broken open in one trembling instant. I say jazz is alive. It’s adapting to a changed landscape, vivified by its own endurance, shedding its skin in the dark. It emerges between genres like a ghost in the machine. We may talk over it at cocktail parties, let it waft over our heads in elevators, because we, like the youth of the 60s, have enough to think about. With music, we scroll and skim surfaces. But if allowed, it will instruct. It will wait for us to remember how to listen. It will continue to send messengers to remind us that, bruised but dignified, it still pulses beneath the noise. The Chronicles of the Traveling Pants By Ava Satterthwaite The first time I asked to borrow my mother’s bell-bottoms, her face “ STILL, IN THOSE BELL-BOTTOMS LIVE FIELDS OF HER ROSE AND LAVENDER FRAGRANCE, DENIM THREADS INTERWIEVING LIKE STRANDS OF HAIR SHE’D DUTCH BRAID BEFORE BED. AVA SATTERTHWAITE scrunched in disbelief. “That’s the trend now?” she asked, befuddled. I never wear them, of course – the tide of the trend shifted long ago. Still, in those bell-bottoms live fields of her rose and lavender fragrance, denim threads interweaving like strands of hair she’d dutch-braid before bed, silhouettes of her twirling between twill ruffles like we’d dance in the kitchen to “Better Than Revenge” and “Fearless.” All around me are reminders of adolescence. Pink bow UGGs mellow into classic tans. Black puffer vests I followed her to the attic, where we coiled between stacks of doodle-laced notebooks, faded letterman jackets, and clusters of swollen crates— one labeled CHRISTMAS DECOR, another RECORDS + CDs, a third DENIM. It was like Narnia – an entire world of memories hidden behind her wardrobe. She found the bell-bottoms under a mound of distressed overalls and low-rises and threw them over her shoulder. Snickering, she asked if I’d like a flower headband or some fringe boots to finalize the look. But, as I stood in the mirror, smoothing the creased flares and fiddling with the waistband, a tear skimmed down her cheek. “That’s the trend?” she echoed, voice faltering. I nodded. “It’s just like I remembered.” ” When I came to college, my mother snuck those bell-bottoms into my suitcase as a farewell, her scribbled note stuffed between its folds. Call Your Mom! it insisted – like I’d need the reminder. Frankly, the further I wander from home – from childhood – the more striking our resemblance becomes. I listen to “Landslide” with such reverence it feels biblical. I add crushed Kellogg to my cookies “for some crunch” and dark chocolate chunks “for the bite” like she advised. I drink iced Sauvignon Blanc and shake my leg so excessively the whole table wobbles, its steady thrum reminiscent of our once shared dinner table. I never considered my s e l f sentimental until I rediscovered her bell-bottoms looming in the recesses of my dorm-issued wardrobe. 16 overtake matted lime-colored North Faces. Like my mother, I’ve been fossilized over and over, my fleeting memories buried beneath old boxes and new clothing, my own forsaken Narnia. The trends, timeless and teenage-dirtbagish alike, fill these archives with precious evidence of our evolution. I grab the bell-bottoms and look toward a clouded mirror. I’m much older now: cheekbones more defined, brows furrowed tensely. The denim is stiffer now, too. It holds me a little tighter, and I think warmly of my mother’s arms. It’s just like I remembered. Merriam-Webster By Annabelle Stableford trend noun a : a line of development : approach b : a current style or preference : vogue c : a general movement : swing d : a prevailing tendency or inclination : drift Approach: To identify three intrigues: two trends of my life, and for fun, a not so subtle trend that consumes me, which you may discover hidden throughout this text (although I am no mastermind). Vogue: So it goes, it is not in vogue Sole ME copy 25 copy (3).inddc 16 11/26/25 4:46 PMbe in vogue, nor am I in vogue. But I persist. Swing: According to my memory, everything that ever happened to me happened when I was eight. There were troubled nights and tears culminating in the visit to the energy healer, who proclaimed me a blind farmgirl in a previous life (that escapes me as well a pendulum now, coming back in crisis to explain everything). And the drunk man at the natural hot springs and the woman who told me to look away, to imagine his image washing away in the river (except “ Quarantine Trends By Anika Weling It’s sad to think of what I will say when my children ask me what I did during the COVID-19 pandemic, the most prominent event of our generation. I wish I could say I did anything useful. I could lie and say I helped save lives or protect rights, but in reality I sat in bed for months on end, fixated on a little LED screen I REFUSE TO FORGET MY LIFE: THE SHARPNESS OF WORDS, THE KIND THAT ONCE YOU READ THEM, THEY HARBOR WITHIN YOU. eight inches from my face. I listened to the distant hum of the news from my living room, an ominous loop of ANNABELLE STABLEFORD every time I try, the current reverses). And when I read Tuck Everlasting and in the story discovered a profound magic all for myself (novels, within my realm of independent reading now!). Ex. “You have a favorite spot on the swing set / you have no room in your dreams for regret.” 1 Drift: “Pulled him in tighter each time he was drifting away.” I refuse to forget my life: the sharpness of words, the kind that once you read them harbor within you; the ten hardboiled eggs I watch someone eat at breakfast, all in one go (perhaps not profound, but noteworthy); the things that happened to me when I was eight and in all the eras after. All of this goes into my Volumes, my Immortal Histories, my Moleskines (2019-2024) and Leuchtturms (2024-present), my most critical trends. I don’t let any of it drift away. Ex. “Pulled him in tighter each time he was drifting away.” 1 ” muffled, monotonous voices with nothing good to say, so I hid under my covers. I watched video after video on how to make dalgona coffee, while hating coffee, and how to 1 Attribution of quotes (spoiler warning): Taylor Swift do Tiktok dances, which I had no desire to ever learn. I saved DIYs and recipes to a folder, only to never look at them again. Propped up in bed, I took online classes while the world fell apart around me. The numbers rhythmically continued to climb. One million. Two million. Ten million. No one ever taught us what to do in the case of a pandemic. No one thought we would need to know. So in the utter chaos around us, we turned to distraction to survive, to escape. Never-ending entertainment f lashed passed us as we chased a relief we could never quite reach. We fell into rabbit holes where we never had to stop and realize what our lives had become. It’s trend, after trend, after trend. Around me, everything is still, everything is quiet.

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