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How Much Are You Willing to Lose? Risk Culture and Elite Athletics

August 2, 2024
Annika Coleman

“You can only really appreciate life if you're putting yourself into places that risk it.” – Richard "Milky" Quayle Imagine a bullet. In the Isle of Man, a sleepy island in the Irish sea studded with rocky coastlines and medieval castles, a speeding bullet dares to rip through the warm May breeze at 195 miles per hour. Its path is clean, determined, graceful, powerful. As if immune to the forces of drag or gravity, it flies without apprehension. The bullet is invincible. The bullet is free. Yet, one feature mars its perfection: the bullet has shoulders. “I just caught the rock face with my shoulder. I just snagged it, pulled me into the wall on the right. And then I flew over and hit that [wall] on the left.” Richard “Milky” Quayle is a human bullet with shoulders who dares to race motorcycles at 185-200 miles per hour in the Isle of Man Tourist Trophy (TT) races. Growing up on the Isle watching races since he was a “wee boy,” TT has been a central part of Milky’s life for as long as he can remember. Starting his racing career at 22, he soon became a champion, winning the 1994 Supersport, 1996 250cc Manx Championships, and the Isle of Man TT in 2002. Yet, in the 2003 TT race, he came to learn that bullets aren’t invincible: entering a corner too early, Milky crashed spectacularly into the rocky barrier beside the track, flesh and rocky foundation flying radially in all directions. The crash left Milky with a ruptured spleen and punctured lungs. Milky isn’t the first to be injured in the TT. To the contrary, Milky is lucky not to be dead. Since the event began in 1907, 250 racers have been killed, with six dying in 2022 alone. “The only way of making this event safe is to not do it,” says Paul Phillips, the TT Business Development Manager and Director for the last 15 years. Yet, despite the risk, the flashy collision, and the ruptured spleen, when asked by a reporter in the hospital if he planned to stop racing, Milky responded with clarity: “It's the best thing in the world anyone could ever wanna do. Why would I want to stop it just because it hurt me?” Asta-Sollilja Farrell’s career as a gymnast began at the age of 2 with “mommy and me” tumbling classes. Her career as an injured gymnast began six years later: at eight, she chipped a bone on the side of her foot, resulting in soft tissue damage and a mossy tinge that still taints the skin thirteen years later. At age ten, walking became a challenge: “I started having hip issues. Both of my hips were dislocated and the tendons were messed up. I was in so much pain all the time,” Asta said. “I was in fifth grade.” Since then, Asta has suffered from at least one or two major injuries a year without fail, including an ACL tear, multiple torn ligaments in her left ankle, and six concussions, totalling to approximately 24 major injuries. At the age of twenty-one, Asta has made it, proudly representing the senior class on Brown’s Varsity gymnastics team. 19 years later, the spunky toddler with bouncy brown curls who always dreamed of being a D1 athlete can finally say she is “living the dream. ” Yet, for Asta, dreams have never come without pain. “I have been in constant pain, every day, from the second I wake up to the moment I go to sleep, since I was eight years old. I still have nightmares about retearing my ACL two years post injury because of how much that feeling of crunching replays in my head,” Asta said, her eyes glazed over with resignation. “Multiple doctors have told me that I have to get my foot fused post-gymnastics. I probably won’t be able to walk past the age of forty. That’s my cut off.” However, Asta is not worried about her body post-gymnastics: “I don’t care what happens to my body as long as I can get through this season. In my mind, this is so much more important to me than whatever happens next. I don’t need things to be amazing afterwards, I just need them to be amazing now.” “This is nuts. You know that right?” says journalist Bill Whitaker during his 60 Minutes interview with Milky. The racer giggles at the comment, his perfectly slicked blonde mohawk leaning in towards the camera, exuding a mixture of agreement and pride. “Well, it’s fun though. It’s fun, Bill.” “Let’s unpack that a bit.” My next-door-neighbor Jasper’s favorite line — usually used comically to reference low-stakes gossip — slowly flickers to the front of my mind. I identify as a high-level gymnast turned broken gymnast turned diver turned concussed diver turned medically retired, dazed and confused, permanently-in-pain athlete no longer. I have lived teetering on the border between “within” and “without” elite sports for over thirteen years. As a dual citizen to two distinct worlds, living and listening to athletes’ stories — of success, injury, loss, redemption, pain, guilt, in a multitude of different orders and permutations — I have long viewed elite sports with a critical eye. Hearing the experiences of the human bullet and the gymnast have led to several of my lingering questions beginning to crystalize: How does risk, pain, and injury become normalized in sports? What assumptions lie behind the expression that athletes are “insane” or “nuts”? Is participation in elite athletics justified? “Let’s unpack that a bit” says Jasper. Ok, Jasper. I am scared, yet I am ready. Let’s unpack: what lies within the complex relationship between risk, sports, and glory? Watch the Hero Go Past The practice jumps of Mikhail Baryshnikov, the preeminent male classical dancer of the 1970s and ’80s and principal dancer of the New York City Ballet, spark but one word in my mind: defiance. His pointed toes flying feet off the ground, his kneecaps locked to straightened perfection, it appears as though the laws of gravity apply differently to his slender body. The power in his quads and seemingly effortless coordination of his limbs is almost unnatural, almost not human, or rather, superhuman. The “superhuman” complex is instilled early and regularly reinforced in athletes by both their athletic community and by larger society. Julia Grace-Sanders, former collegiate swimmer at Texas Christian University, recounts that “from a young age, I was told that I was special.” She continues, “My peers stared wide-eyed when I told them how many times I practiced a week. I secretly enjoyed their surprise, and felt affirmed by the astonished reaction.” As a former high level competitive gymnast, I lived a parallel experience: a deep pride grew within me as my middle school teacher’s face flashed with astonishment after learning I spend 24 hours a week in the gym. I reveled in the wild applause of my classmates when I did cartwheels or back flips in PE. I distinctly remember feeling I had a double identity like Kent Clark or Hannah Montana: civilian-student by day, superhero ninja in a bedazzled leotard by night. By the time they reach the collegiate or professional level, athletes have become accustomed to the deep-seated rhetoric that designates athletes as “beyond human” and often propagate this message themselves. As a freshman on the Brown Varsity Swimming and Diving team, I was stunned when our coach read the final line of our team contract aloud: “You must decide whether you want to be an elite athlete, or just another student who goes to Brown.” While the seeming paradox of placing the words “just” and “Brown student” in the same sentence left me dizzy, the fact that not a single girl in the room batted an eye before signing made it clear how commonplace this “glory rhetoric” is within the athletic community. Beyond the pool or the court, Varsity athletes at Brown also openly refer to students who do not partake in Varsity sports as “NARPs”: non-athletic regular people. Slurs for non-athletes are not unique to Brown, with terms such as “muggles” (Stanford), “normies” (Utah State University), or “civilians” (Eastern Illinois University) floating freely across many college campuses. These derogatory terms function to create division between athletes and non-athletes, who are deemed as the inferior “other.” These divisions are publicly visible in Brown dining halls: it is common campus knowledge that the long-table in the center of the V-Dub is off limits to non-swimmers from the hours of 5:30-7pm, that no NARP flesh shall touch the men’s wrestling team’s headquarters by the exit at the Ratty, and that football can formally reserve an entire dining hall quadrant that will be (literally) roped off with red tape. Parties are similarly segregated, with athletes commonly organizing “mixers” with other Varsity teams in which, as recounted by Brown athletes Michelle Guo (swimmer) and Tevah Gevelber (cross-country runner), team members are explicitly told “don’t bring NARPs.” The subconscious assimilation of the “superhuman” complex may also surface unintentionally. For instance, Milky casually glides over the phrase “watch the hero go past” when describing where fans can sit to watch the TT racers, seemingly unaware of the fact that he explicitly refers to himself and his competitors as “heroes.” In a similar vein, Bill Whitticker’s comment “you’re nuts” indirectly validates this notion of the racer as a superhuman “hero” able to push their body beyond the limits of “normal” human ability. The pride that fills Milky’s smile and bobbing mohawk makes clear that, among athletes, being “nuts” is considered a title of high honor. The Sacrifice of Being Superhuman “Guts. Grace. Glory.” is the mantra of USA Diving, the governing body of the sport of springboard and platform diving in the United States as recognized by the Olympic Committee. These words, stamped on a white cloth flag next to a blue and red stick figure flying through the air in a pike position, are the first thing to greet me at dive practice everyday. Waving in the winds and rain of California winter, this catchy alliteration instills but one message in soggy, goose-bumped, exhausted children in swimsuits: their “glory” is the fruit of sacrifice. “Glory” is earned from taking repeated bodily risks until hurling yourself off of a 3 meter springboard appears effortless. “Glory” is earned from exuding courage and resilience in the face of fear, pain, and exhaustion. The high honor of transforming into the heroic athlete does not come without a price. This flag and the word “sacrifice” come to mind when I see a soggy, panting man in the gym donning a shirt with the following white block letters screaming off of the black fabric: “PAIN IS WEAKNESS LEAVING THE BODY.” Originating in the US Marine Corp, this phrase was historically used in recruiting propaganda to encourage youth to enter the US Armed Forces. Taken up by the fitness industry, this line is now found on sports shirts, appealing to the “no pain, no gain” mentality deeply embedded in sporting activities. The “three G’s of diving” alongside the screaming T-shirt serve to exemplify how the aforementioned establishment of a superhuman identity functions to glorify risk taking, normalize pain, and stigmatize weakness. As stated by Michael Atkinson, Professor of Kinesiology and Physical Education at the University of Toronto, in his book The Suffering Body in Sport, sport “socializes young athletes to nearly blindly accept the risk of pain and injury inherent in sport participation,” embracing “pain, injury, and risk as a ‘badge of honor’” that “serves as an important social indicator of one’s commitment to sport excellence.” This culture of risk in sports results in characteristic behaviors in athletes facing pain that include consenting to play while injured, concealing or refraining from reporting injury, and experiencing feelings of pride when training or competing through considerable pain. Asta recounts having done all three by age 14: “The week before nationals, I busted my ankle and could not walk. I was crutching around the house.” Yet, to Asta, raised from the age of two to be a “warrior girl” who perseveres in the face of pain, missing the competition due to injury was not an option. Instead, Asta’s reaction was instinctual: “I started taking six Advil a day on an empty stomach for three months. I had a lot of trouble eating. I did not care. I would take eight if I needed to just to get through the day.” At the competition, she “crunched” her ankle again on vault, twisted it on floor, and distinctly recalls thinking, “my ankle is going to fall the fuck off.” Walking between events, Asta pinned her eyes firmly to the ceiling to hide her tears from the college coaches in the audience looking to recruit their next freshman class. Yet, despite it all, Asta finished the meet, even placing on bars. After her final dismount on beam — which she landed on one foot — her emotions overwhelmed her: “I was so proud of myself. I had gotten through the whole meet and had done moderately well. Who cares if my ankle hurts? I just got eighth in the nation on bars.” To Asta, the immense glory of standing on the podium donning her medal justifies sacrificing the integrity of her soft tissue. To the superhuman-athlete, immersed in the rhetoric of “Guts. Grace. Glory” and “Pain is weakness leaving the body,” exerting your body to the point of near self-destruction is not “nuts”: It is a given. A Coach. An Enforcer. “Kick ‘em out. Curse ‘em out. Embarrass ‘em in front of the gym.” Asta’s tone is matter-of-fact as she describes her club coaches’ strategies for handling gymnasts who were afraid to go for a new skill. “Basically any bad thing you can think of,” she adds, summarizing with her accepting gaze the level of authority and power coaches hold over their athletes. Her words are reminiscent of my childhood: Armen’s screams piercing into Maya three inches from her face after a “sloppy” vault; Jing Jing Zhang’s Adidas sandals flying across the gym to wack 12-year-old Giuseppe for being too “chicken” to go for his dismount off rings; Coach Kelly’s tongue ring banishing my “chicken” limbs to laps around the gym parking lot after crying instead of doing back-handsprings on beam; Sam the literal rubber “shame chicken” being carted around by many 8-12 year old gymnast “chickens” as punishment for any and all expressions of fear. “I was more afraid of my coaches growing up than of any new skill,” Jing Jing always liked to remind us. “At least in this country, you can’t hit children’s knees with sticks.” As stated in Élise Marsollier and Denis Hauw’s paper Navigating in the Gray Area of Coach-Athlete Relationships in Sports, research has shown that “athlete maltreatment in training and competition is not rare, but instead seems to occur more frequently than expected.” Through commonly documented fear- and/or shame-based strategies such as yelling, intentional denial of attention or support, silent treatment, isolating, or belittling, coaches act as enforcers of cultural standards in sports: policing and propagating the importance of exemplifying bravery and suppressing pain. This so-called “tough love” does successfully teach athletes to perform high-risk acts with little hesitation, which may aid in athletic achievement. Nonetheless, even without beating with sticks, placing high moral value on bravery and stoicism while simultaneously creating a fear-based power hierarchy between coach and athlete also increases the risk of bodily harm: “You better suck it up, you better stop limping” were Asta’s coaches words at nationals as she “heavy limped” her way down the runway post ankle-crunch en-route to perform her second vault, her actions reminiscent of Olympian Kerri Strug. "I had to go see a doctor in private who told me my shin was going to split in half if I didn't stop training,” tells former San Jose State University gymnast Alison Falat, who was accused of lying and denied medical care by her coach Wayne Wright after suffering a stress fracture. “Despite the negative impact of these [coaching] behaviors…athletes negotiate maltreatment situations by mostly accepting them through their normalization,” report Marsollier and Hauw, bringing me back to Asta’s accepting gaze and matter-of-fact tone. While the normalization of what is now being labeled as abuse in sports has multifactorial consequences for the young athlete, one of the most salient impacts is the internalization of a destructive mentality: To the indoctrinated athlete, heeding to injury in any way — whether it be leaving a practice early, skipping a competition, or even limping – is considered synonymous with failure. From personal experience, I can say that, once engrained, this mindset is challenging to break. Love is Fraught with Risk Milky: “You can only really appreciate life if you're putting yourself into places that risk it.” Austa: “Gymnastics is more satisfying when you are fighting injuries or mental issues and you are still able to go to a meet and overcome.” “Can you describe to me what you love most about diving?” The writer of my high school newspaper notices how I flinch in response to her question. As a competitive diver, I had became accustomed to answering a certain list of common “normie” queries: → “What’s your favorite dive?” (to which I say 105B off three meter and proceed to get blank stares until I show a video) → “Can you do a flip?” (to which I say, in the most courteous way possible, “No, I actually just spend two hours a day walking around the pool.”) → “You must love it, don’t you?” (to which I always nod and smile, purposely avoiding further self-reflection) Yet, no one had ever asked me why I loved my sport. After embracing some long avoided self-reflection, here’s what I said: “What inspires me to return to the pool every day is the feeling of the perfect dive. When I rip the water beneath my hands, I am no longer controlled by gravity, I am gravity, accelerating at -9.8 m/s² towards the earth through the water, as if the water was simply air, until I finally ‘J-curve’ around, finishing right side up. The exhilaration is addictive.” Beyond the glory associated with superhuman status, according to Michael Atkinson, the act of participating in the sport itself can be “existentially rewarding” because it “provides many participants with a means of experiencing physical, emotional, and psychological sensations not provided in everyday life.” In my case, I delighted in the five seconds of momentary weightlessness followed by the sense of power derived from breaking surface tension with my bare hands. The “exhilaration” was enough to hook me into diving despite the objectively “high-risk” (more on this later). For some athletes, however, enjoyment is not derived in spite of the risk, but rather, as Atkinson outlines, “a significant part of the allure of extreme sports is the degree to which participants place themselves at risk (seemingly irrationally) for the sheer pleasure of being at risk.” Based on Milky’s comment, I would argue that, in the case of TT racing, the pleasure of speeding on a motorcycle at 200 miles per hour derives precisely from the adrenaline of “playing with death” in a way that would not be socially sanctioned outside of the athletic realm. Nonetheless, Asta’s comment highlights that yet a third dimension to the connection between love and risk in sport exists: rather than delighting in the immediate thrill of participation, athletic satisfaction may stem from the delayed pride of having boldly faced and overcome the risk that sport presents. Atkinson describes this phenomenon, saying “the degree to which the body is taxed to its limits (almost sadomasochistically) is meaningful.” Former Brown diver and elite gymnast Carmen Bebbington describes this bodily “taxation”— the post-eight hour practice wailing muscles, overwhelming exhaustion, and deep hunger that drives you to inhale steamed broccoli as if it was a rare delicacy — as “feeling empty.” While perhaps paradoxical, it is precisely this feeling of “emptiness” — the pleasure of endorphins surging through the bloodstream — that I miss most about gymnastics. Even after retiring from competitive athletics, I still consciously strive to push to the point of exhaustion in my daily workouts out of the sheer desire to once again experience the pleasure of “sadomasochistic” physical taxation. For athletes like Asta and myself, loving a sport cannot be separated from the challenge it presents. “Can you describe to me what you love most about gymnastics?” I pose this question to Asta during our interview. As a nostalgic retired gymnast, I biasedly expect her to paint some beautiful description of the joys of flying through the air or the satisfaction of feeling that your jello quads are going to collapse beneath you at the end of practice. Instead, her answer comes as a shock: “Honestly, I really don’t know. It just feels like who I am, and I’ve done it for literally as long as I can remember. I have no memories of pre-gymnastics. The sport kind of sucks: it hurts, it’s scary. But I don’t know, I just love doing it.” While the pleasure of doing the sport can be immense, based on Asta’s comment, I argue that the importance of maintaining the superhuman identity appears to be the most profound influence on decision-making in sports. Whether it be ripping yourself out of bed at 7AM on Saturday mornings to plunge sleepy goosebumps into a chlorinated pool or forcing yourself back up on the beam after an ACL tear, the powerful human need to “know who you are” motivates athletes to continually make sacrifices for their sport. My question remains: can you truly love something that destroys you? The Risk Unseen “I call it the rescue distance.” Amanda is a loving mother. In Samanta Shweblin’s psychological eco-horror novel Fever Dream, Amanda and her young daughter Nina travel out of the city to the Argentine countryside for a summer vacation. Amidst the slow-sultry days spent frolicking through open fields and bathing sunburns in backyard pools, Amanda remains constantly alert: “Right now, I’m calculating how long it would take me to jump out of the car and reach Nina if she suddenly ran and leapt into the pool. I call it the ‘rescue distance’: the variable distance separating me from my daughter, and I spend half the day calculating it.” Amanda’s calculations have long kept Nina’s chocolatey bangs and supple skin safe from the world’s many horrors. Yet, the horror ensues when risk cannot be calculated. Nina’s supple skin begins to itch and rash and writhe as leeched pesticides seep into her innocent flesh from the soybean field upon which she lays. Pulling her daughter’s poisoned body from the grassy-toxic embrace, Amanda has but one thought repeating over and over in her mind: “The rescue distance: it didn’t work, I didn’t see the danger.” Kendall Menard can’t see. After fifteen attempted 5231Ds turned fifteen forceful forehead-to-water smacks off the 1 meter springboard, Kendall stands on the pool deck with her eyes fixed eerily on her extended right hand. “My arm is gone. I only see black past my shoulder.” Us soggy, swim-suited children try to reassure her that we can see her arm, that it looks normal, that it is attached to the shoulder. She isn’t convinced. I reach out and join our soggy right hands. Suddenly her eyes well with terrified tears as she feels invisible sensations from a limb that she is convinced has vanished. I started diving because it seemed like gymnastics but safer. I started diving because water was marketed to me as soft and forgiving. Yet, horror ensued when I started having headaches. After fifteen attempted 203Bs turned fifteen forceful forehead smacks off the 3 meter springboard, I stood on the pool deck wondering why the sky seemed so hazy. Six months later, stumbling through daily life with invisible concussive symptoms, I had but one thought repeating in my mind: I didn’t see the danger. According to a 2016 study of Division I divers from Midwestern universities, 54.2% of participants report having sustained at least one diving-related concussion during their athletic careers. While concussion may result from a flashy skull-smack into the board – such as in the famous case of Olympian Greg Louganis – what is more concerning is that diving-related concussions more frequently result from the mundane crooked entry. As explained by study author Sarah Kemp, a diver’s body enters the water at around 30 mph. Thus, an incorrect entry can cause whiplash effects on the brain as the body decelerates. While the basic physics of diving-related concussions is easily comprehensible, what is more nebulous is why the extent of this risk goes greatly unseen. Risk miscalculation is not unique to diving. In a 2017 study conducted by Christine Baugh, Assistant Professor at the University of Colorado Department of Medicine and Center for Bioethics and Humanities, analytical models suggest that 43% of collegiate football players underestimate their risk of injury and 42% underestimate their risk of concussion. Data out of the UK indicates that injury risk in professional soccer is 1,000 times higher than popularly understood high-risk occupations such as construction and mining. Taken together, these data points lead to a more stratified understanding of the risk unseen: athletes may (a) be simply unaware of the risks associated with their sport (b) be unaware of the likelihood of being affected by such risks or (c) may be unaware of the true extent of the physical harm such a risk may cause. This risk misinformation —combined with socio-cultural factors that normalize pain and injury and glorify the athletic identity — places athletes in a position to make decisions that are not in their best interest. “It didn’t work.” Amanda’s distress plays on repeat in my mind. Her voice calls me to question, how can we make it work? Step one: unblur the risk price tag that athletes read before making a life-changing purchase. Loss is Risky Terrain I don’t remember much about those first two weeks. All I remember is numbness — seeping into the quads, the hands, the mind. The soul. I had limped from injury to injury for two years straight — disc fissuring in the low back, fractured foot, strain in the left inner thigh, second back fracture — too broken to compete, barely mobile enough to train, yet incapable of giving up. My coaches, the preachers of pushing past limits, realized that sometimes breaking isn’t temporary. My coaches spoke the words I could not say: there was no path to comeback. I spent many hours staring blankly at the glossy photo hanging boldly in my kitchen: a blonde girl in a bedazzled leotard soaring over a four inch beam in a 180 degree split. Her focus seemed unbreakable. Her grace seemed infinite. The strength gushing from her muscles reminded me that I was once powerful. I didn’t know if I’d ever feel powerful like that again. Tears dwelled silently in the corners of my eyes, yet I was too numb to cry. As outlined by Atkinson, the risk associated with sports extends beyond physical injury: “Risk is a multidimensional construct of athletes’ minds, bodies, selves, beliefs, values, and identities.” Due to the all-encompassing nature of elite sports, athletes become vulnerable to “self-loss, social loss, [and] emotional loss” as a result of heavily basing not only their identity but their mental-wellbeing on their athletic success. Due to this dependence on their sport, athletes develop a vulnerability not often considered: “Being ‘outside of the game’ is risky terrain” (Atkinson). In other words, contrary to the common belief that leaving athletics eliminates the risk of future harm, career termination represents a significant risk to athletes in and of itself. A systematic review of psychological distress among retired elite athletes found that, depending on the study, up to 29% of the sample demonstrated depressive symptomatology post-retirement, with no study finding less than 20% to identify with diagnosable depression. 39% of retired soccer players were found to have depression and anxiety in a 2015 observational study. A 2017 study revealed that 34.5% of former rugby players who experienced “forced retirement” due to injury were classified as “adverse alcohol” drinkers. Finally, a survey of 644 retired NFL players reported 71% of the sample to misuse opioids and 93% to experience significant pain post-retirement. In combination with depression, chronic pain was associated with difficulties sleeping, managing finances, maintaining social relationships, and exercising. Fast forward eight years and the 12-year-old girl staring at glossy photos in her kitchen is three concussions in and just about to let her newest bodily trauma strip her of a rebound athletic career. Walking solemnly into the “NARP” gym for the first time post-diving, I am confronted with my friend’s gaze of bemusement followed by a phrase I’ll never forget: “you’re mortal.” From the combined experiences of retired athletes across sports, generations, and genders, it becomes clear that “falling back to earth” is a traumatic jolt for the “superhuman” athlete to process. The pain of reconciling with your mortality can become so intense that some athletes in Atkinson’s work define leaving the “total institution” of elite sport as “symbolic death.” Yet, sometimes death is literal. Trevor Labuda dies on November 3rd, 2023, at the age of 24 from suicide. A 2021 Brown graduate and Human Resources Associate at Capital One, Trevor was the captain of the Brown Varsity Dive team, the school record holder for the 1M and 3M events, and the energetic anchor of the Brown Swimming and Diving family. Sitting in a circle in the chaplain’s office, his close friends share memories of Trevor’s raspy voice cheering wildly over the buzz of competition and his bear hugs warming frightened goosebumps after a bad dive. Nick’s voice goes weak as he says, “No one had ever seen Trevor not in an awesome mood.” The tears once again start to dwell in the corners of my eyes, yet I’m too numb to cry. “While no one factor is believed to be the root cause of suicide ideation or attempt, losing one’s identity as an athlete through forced or voluntary retirement is noteworthy along sociological lines” says Atkinson. Trevor was in the process of transitioning out of a fruitful 14 year diving career, symbolically changing his instagram handle from “@trevthediver” to “@trevthedover.” He had a loving girlfriend, a stable job, and many die-hard fans (myself included). No one can define his suffering for him. No one can explain away his death. All I know is that Trevor joins the many revered athletes tragically lost to suicide: Junior Seau (NHL), Rick Rypien (NHL), Kenny McKinley (NFL), Wade Belak (NHL), and Ellie Soutter (Olympic snowboarder) among others. “Grief is the flip side of love,” says the chaplain at Trevor’s memorial, finally breaking our silence dotted with harmonized sniffles. “Love is a risk, but that doesn’t mean you should stop yourself from loving.” No matter the complex establishing factors or the frequently painful endings, one thing is clear: athletes love their sports ferociously. Despite the physical injuries they produce, the sacrifice they entail, and the grief that accompanies their loss, is it justified to prevent people from expressing this love? Should future generations be deprived of their chance to experience it? And Yet. “Last question: will you put your kids in gymnastics?” Asta does not hesitate: “Not a chance.” At the age of 21, my body is abnormally weathered and restricted: the bilateral tendon tears in my feet and lower leg spread numbness and burning into my toes as I stand at the sink to brush my teeth. The twisting required to roll out of bed must be carefully executed to prevent the electric surge of SI joint instability from shooting into my back and lower abdomen. Post-concussive migraines taint physics homework and roommate dinners with fog, fatigue, and sustained eye twitching. I often lie awake at night grappling with the unsettling reality that there is no escape from pain. My mom sat beside me on cold metal chairs as the orthopedist announced that the longitudinal tears in my feet tendons will eventually need to be surgically “tacoed” back together. When I asked him where exactly on a calendar “eventually” is, he replied with a daunting “you’ll know.” Every day I cautiously roll out of bed, awaiting the moment I will no longer be able to walk. Tears began to dwell in the corner of my mother’s eyes, but she was not afraid to cry. “I wish I had never put you in gymnastics,” she whimpered into my ear. Suddenly the metal chair felt like ice beneath my forearms. And yet shaking, cold, and terrified, all I can think is that I’d do it all again. I’d do it all again for the existential weightlessness of flying over a four inch beam in a perfect slip, I’d do it all again for the burst of pride and adrenaline that surges through the stomach after sticking the perfect vault at regionals, I’d do it all again for the beautiful exhaustion that filled every inch of my flesh after a four-hour Saturday practice, I’d do it all again to hear my teammates scream-cheering from across the gym, I’d do it all again because I can’t imagine who I’d be without ten years dressed in leotards and coated in chalk, I’d do it all again because to this day I still consider myself a warrior girl, and I’d do it all again because despite the burning and despite the aching and despite the twitching, what pains me most is knowing that I will never again do what I loved so ferociously that it destroyed me. “It's the best thing in the world anyone could ever wanna do. Why would I want to stop it just because it hurt me?” – Richard "Milky" Quayle Last question: Is participation in elite athletics justified? It depends how much you are willing to lose.

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Language Undone

Juliet Corwin
April 15, 2025

I was born in silence. In the first year of my life, my hands and my face were my only ways of communication. My curiosity was not limited by a lack of sound, and as an infant I absorbed the colors, shapes, textures, tastes, smells, and vibrations all around me. I spent much of my time on the floor—in part because walking is a skill that takes practice, but also because lying on the floor is the best way to experience the world. Through the floor, my body learned to recognize my father’s footsteps, a closing door, my sister’s excited hops, the calm ring of my mother’s laugh. I learned the different meanings of eyebrow and lip movements, which twitches meant worry and which meant laughter. My parents, both hearing, spoke endlessly to me, pressing my hands to their throats so I could feel the changes in pitch, the pauses in their words. I remember the warmth of their skin, the steady hum of their voices against my palms. They picked up elementary signs to teach me, pairing them as best they could with the words streaming from their mouths. My first signed word was “shoes,” two fists knocking together—sometimes I wonder if this wasn’t just an accidental bump of my knuckles. My pudgy fingers learned to fly. Soon my words soared through the air, my sentences sprouting wings, flying higher than my parents’ unpracticed eyes and hands could reach. But Mmy parents made the decision to raise me with hearing technology in the hearing world. This was by no means an easy choice, but the world has not been a kind place to Deaf people, and has been particularly unkind to Deaf women. My parents wanted their daughter to be safe, to be autonomous, to feel that this life was mine to create. *** I was one year old the first time a surgeon drilled into my skull. In a cochlear implant surgery, a small area of the skull is shaved away to create an indent in the shape of a tiny upside-down snowman, an exact match to the internal magnet which is placed in the indentation and cemented in with bone paste. Attached to the magnet is a string of electrodes, which are wound around the cochlea in place of cilia, the tiny hairs along which soundwaves dance to the brain. As a result of a recessive gene, GJB2 Connexin 26, my cochleas cannot receive sound properly. The cilia that transmit waves to my brain are absent, broken, bent, or lonely. Through two surgical procedures for cochlear implants, my cilia were replaced by electrodes spun through the spirals of my cochleas, which now receive electrical signals from an external processor. This leaves the bones in my ears without a job. I hope they are not too bored. There are three bones in each ear, named for a hammer, anvil, and stirrup. They bring vibrations from the eardrum to the inner ear by turning them into waves that can travel through the membrane and fluid of the inner ear. Their main function is to bring sound to the cochlea, which connects to the brain. The bones in my ears, dedicated to connecting my eardrums to my cochleas, must be very confused. Soon after getting hearing technology, my preschool teachers held my hands in my lap and I was taught to speak using only my mouth. For Deaf children that are turned into deaf children—assimilated into the hearing world through the use of hearing technology and verbal language—there is debate around continued use of sign language. Some believe that a focus should only be placed on spoken language, as it is assumed that young children will default to sign language if given the opportunity to use it freely. The first time a scalpel graced my skin it un-capitalized a letter, grazed my not-yet formed identity. The second time a scalpel stroked my flesh it cut away a language in my fingers. *** The human hands generally consist of twenty-seven bones each. Eight carpal bones, formed in a row between the wrist and the palm, five metacarpal bones reaching up to the fourteen phalanges that hide in the fingers. These bones are carefully situated so that the hand is flexible and can rotate freely. Two sets of twenty-seven bones working in tandem are used in nearly every human activity. My two sets of twenty-seven bones grew wings, flew too close to the sun, and were left stunted and slow. In my oralist early-intervention education program, my hands were not free. My eyes were trained to read lips and to maintain eye contact at the same time. I still rely on lips about thirty percent of the time, and more in poor acoustics. Reading lips is a skill that I tire of sometimes. Each person, regardless of their language, moves their lips and shapes their sounds differently. Each person I meet means a new pair of lips to learn. As a toddler I was presented with posters and books of cartoon faces squeezed into scary expressions, rewarded with smiles and cheers when I spoke and left my hands behind. Every year since I was one, I have been led into listening booths and told to repeat the words coming at me through a speaker until the heavy, sound-proofed door opens again. This process typically takes about three hours in total, and leaves me exhausted and drained for the next two days. I often grow increasingly tired as the tests go on, and I begin responding to beeps that haven’t played or saying nonsense words back to the speaker. *** I’ve always found it difficult to speak up. I’m not sure how much of this is due to being a deaf woman. I don’t trust my mouth to make the correct sounds. I am scared to take up space in the hearing world, terrified of what it may mean to remind those around me of my disability, of my constant accommodation of their language and lifestyle. Sometimes, a word will slip out of my lips coated in the Deaf accent I still sneak back into at night, and I will pray it goes unnoticed. I grew up being complimented on my clear language, on how invisible my disability was. My preschool classroom was a praise paradise, so I fell in love with hiding this part of myself. I was good at it, and even at that young age I understood that in order to succeed, hearing was the best thing I could be. I used to dream of waking up to noises instead of light. From a young age I knew I was supposed to speak up when I needed more. I was taught to advocate for myself, to explain my disability and to demand accommodations from reluctant ears and swatting dismissals. I was never taught how to say no to a man who was determined. I didn’t know how to run away from someone who showed me affection, even when he became an aggressor, attacked me in a way that seemed far too easy and familiar. Eighty-three percent of disabled women are sexually assaulted in their lives. I had watched a boy turn into a predator, naively believing that I didn’t make for easy prey. I fell into the hands of a boy on the hunt and found myself helpless. In all my training of how to gracefully need more, I hadn’t been taught when to walk away. Under his grip, my hands forgot how to fight as quickly as they forgot their first language, lay limp by my sides the way they were trained to. My protest, rough against my lips, lay in the air and settled along the dust on my cheek, pressed to the floor. *** When I was nineteen, a pulsing tattoo gun scraped along my right hip. A black-ink fine-line daffodil. I was in Minnesota, fighting to keep my body with me. I was a few months into my first year of college, in denial about the flashbacks that kept me awake and the nausea I couldn’t push down when I kissed new people. I told myself he couldn’t follow me here, told myself that was enough, and called my new ink a sign of how healed I was. Daffodils represent forgiveness and rebirth. A type of starting over that accepts the past. I was trying hard to be a daffodil. I wanted to be a flower, open and bright, standing tall on my stem. I wanted to cover up the handprints I felt along my hip with petals and leaves. The artist was rude, which felt unfair since she was dragging a needle through my skin. She started the appointment an hour late, glared at me when I presented a sketch of what I hoped the flower would look like, and silently drew her own version instead. Hers was much better than mine, and I quickly admired the purple outline along my skin before settling in for the session. She didn’t ask me what the tattoo meant, just told me to sit still. At one point she asked me, annoyed, if I was holding my breath. I was. Over the years I have collected more ink, sprinkled over me in whispers. Behind my ear hides a black-ink fine-line outline of the sun. My earliest memories are silent and bright. Fuzzy rays of warmth, dust floating and illuminated in front of a glowing window. The few mornings that I am left to wake without an alarm, I open my eyes to a shift in the light. The first moments of the day are my tired blinks and the beckoning brightness.

House Home

Anonymous
April 12, 2025

House, Home I would sleep in the woods every night if I could. To the times when the morning sun's motherly warmth caressed my face, which peeked out from the top of my sleeping bag. My eyes opened slightly as my ears were entranced by the Mountain Chickadee’s singsong tune somersaulting through the forest, and I threw on my jacket to combat the crisp mountain air. Unzipping the tent, my lungs filled with the purity of pine and burning logs coming from the small fire my father was nursing to warm up frigid backpacking hands. Later I spun around in a circle and pointed to the highest mountain peak I could see, stating that we must reach the top. Leaving the campsite we climbed higher and higher into the thick Evergreen forest; jumping through boulder fields and laughing our way to the summit where the sky was unlimited and all ours. We did snow angels in the July leftovers that we supposed stayed unmelted for the sole purpose of our moment above the clouds. As the sun began to tire and drop from the middle of the sky, we found a lake fed by waterfalls, gurgling pools twirling down a snow melt stream. There was a rock near the center of the lake and we knew that we had to swim to it. My mother smiled as she took out her camera and 1, 2, 3, we grabbed each other's hands and jumped. Our bodies paralyzed with the shocking cold, we gulped for air as instinct and adrenaline propelled us further and further away from the safety of dry land. We reached the rock and flopped down, soaking up the sunshine’s radiating warmth. Our hearts beat raw against our chests, our skin painted with goosebumps and mud. We wondered if any other humans had stepped onto this rock island deep in the Rocky Mountains or if we were the first ones. Our own little palace. Our own little world. One where we could write the rules. All ours. +++ She stood outside, her backpack coated with a layer of dirt and twigs that had decided that her pack was a much more sensible home than the mountain trail she had hiked alone earlier that day. Her head rested on the wall of the house behind her and she traced her fingers across the bricks, feeling the peaceful protection of where she had been break into leftover memories drowning in the corners of her mind. Her heart quickened in anticipation and she counted to ten before turning around, taking one final deep breath, and sliding open the side door of the house. The screaming echoed off the panes of the windows and she felt her fists tighten until her knuckles turned white. She hesitated slightly, eyes glued to the floor, before forcing herself to go inside the house. Mom, Dad? Go to your room. +++ In elementary school, my class would go camping in the mountains twice a year. I would pack my sleeping bag, sleeping pad, extra clothes, and a backpack, a daypack as we would call it. It was filled to the brim with everything you would ever need for any kind of mountain weather: sunscreen, a rain jacket, a fleece, gloves, a camelback, a sun hat, a winter hat, rain pants, snacks, and sunglasses. I would wait by the door of my house jumping up and down in excitement until I was taken to school. We went rafting down the Colorado River, biking through the red crushed arches of Moab, and backpacking in the Rocky Mountains. Returning with my face covered in mud and a head packed full of stories that would sooner than later turn into dreams. +++ She got to her room and shut the door softly, hoping her parents would forget that she was there at all. Looking up at the ceiling, the lights appeared to twinkle through the tears flooding her eyes, though without the comfort of the stars that blanket the mountain’s night sky. The walls of her room reverberated with the growing terror in her heart as she shoved a pillow over her ears to muffle the repeated sounds of strikes echoing through the kitchen. She wanted nothing more than to go but was too scared to move, sickened with the hope that her mother’s rampage would end before it was turned towards her as it so often was. That one day, the yelling and pain and tears would stop and her house could become a home. +++ Why are you in the woods? My friend texted me and I turned my phone away from my face, replaced instead with the dark sky and steadfast trees. I marveled at the fact that I somehow always ended up here. As if my feet carry me to safety if my mind starts to flood too deep into sinking swirls. Tears rolled down my face and I used the cuff of my shirt to wipe them away, softly accompanied by a lullaby conducted by the echoes of the trees. Because when you are in the woods, what does real life really mean anyways? Back to the primitive being of true humanity. Finding food and water and wood to stay alive. Telling stories you would never think to share if your mind wasn’t given the opportunity to wonder. Where the natures dance becomes your family and the trees your home. Please let me come. You are not a burden. Okay. And so he ran down to the edge of the woods and together we lay side by side, the stillness between us holding more than words ever could, the smell of moist wood and falling leaves lulling us into a safe security that tomorrow could never bring. +++ Sometimes she doesn't sleep in a tent but opts instead to sleep outside under the stars. The quiet surrounding her is a safe embrace as if nothing can hurt her as long as stay within the limits of the trees. Because no one is angry in the mountains. +++ In the woods I am home.

Inheritance

Deeya Prakash
April 1, 2025

Whenever someone compliments my nose, I flick the tip of it with my thumb and smile, not so much because of their kindness but because my nose looks just like my mothers— sharp, defined, just the right size for my face. I think about her mother and her mother and the mother before that, passing down flared nostrils and bony bridges until they merged and became the central feature of my face. I think about how humans have the beautiful ability to resemble. Animals certainly have their own version of such a thing, shark pups blossoming into identical copies of parents they will never see again and baby parrots lining their feathers with their father’s streaks. But the human ability to inherit like beads on a string is another sort of wonder. For how wonderful to see your eyebrows on your daughter, your knuckles on your son? How incredible it must be to watch your grandmother pass down what you thought was a scar? The biology of our nature is nothing if not incessant, and yet it passes me by like the morning news. One day I am flipping through old albums and I catch a glimpse of my mother, wrapped in a sari and kissing my father on the cheek. I’m struck by her beauty– the arch of her cheek, the swell of her chin. I look in the mirror and pause, fingers on my face as I trace her features on my skin. How wonderful, to sit here and worry about the future when there is assurance that I will live on. *** My mother loves flowers. She points out the hydrangeas and the chrysanthemums and those little yellow ones that bark like dogs, picking them off the stem and placing them in my palms. When I am young, she pulls them apart and shows me their parts, running her fingers over their pistils, their ovaries, the style. We both marvel that something so small can do exactly the same things that we can: make themselves all over again. My mother may love flowers but the mother before her lived for them, sketching them in her leather bound notebook with a magnifying glass in her pocket and charcoal on the pads of her thumbs. My grandmother pressed daisies and grew alstroemeria, raising her daughters with petals in their hair and pollen in their lungs. She taught botany at the school down the street and I bet she was good at it too, her wallshouse always displaying her meticulous drawings of the begonia and the marigold and smelling of the rosewater in her tea. As such, my mother’s DNA spun with daffodils and marigolds, and she inherited the love for botany like it was the crease in her brow. I listen to her tell us about my grandmother and the notebook and the carnations, and how they last the longest when cut and bloom bright in a vase. We walk on the trails of Cincinnati, Ohio, and she plucks the leaves of the borages and stuffs them in her mouth, telling me that if I wanted to, I could too. I do not know much about plants, despite the women in my life who grew alongside them, and there is a certain sadness associated with the idea that I cannot inherit everything from the wonders that came before me. My mother worships the Icelandic poppies like my grandmother would with fresh jasmine, and instead I walk to the local corner store, buying my mother discounted carnations for her birthday and hoping I’ve remembered right. I pray my daughter likes flowers, or maybe her daughter after that. *** The first time that biology stops me in my tracks is when I read about DNA replication. Sitting at the dining table and splaying out my work, there's a picture in my textbook that catches my eye, wildly colorful and speckled in shine. Forty minutes later I have learned all there is to know about the complex procedure happening millions of times per minute within nearly every cell in my body. I am aghast as my eyes fly across the page, conceptualizing the DNA Helicase that takes me apart and the Ligase that puts me back together, all before dinnertime. I stare, transfixed, focusing my eyes to my hands on the pages as if I could somehow watch this play out in front of me. The nucleotides rush together in a swarm and hold hands like old friends and it is then I realize that my mother is snapping her fingers in front of my face like I’ve just gone off and not told her where. The movement of her fingers transfixes me, because I think they are the same ones that were just I’ve seen those before, placed uponon my textbook and tracing the words on the page. My DNA may be replicating, but half of it is hers, reflecting in the veins of her hands and the lines on her palm. There is DNA that just passes maternally; within the mitochondria lies genetic material, exclusively passed through kisses on foreheads, tuck-ins at night. I like to think that all the best of me is from those swirls of traits, nestled between harsh advice and that face she makes when I’m wearing something far too casual for the occasion. When I learn about this, I want to split myself open and see the evidence oflook at how much she has truly given me. I’d imagine I’d see my grandmother there, too, and the mother before that and the one before that, curled up at the center of my chest and breathing me whole. *** It’s the night of my senior prom and I walk into my parent’s bedroom, giving my mother a little spin. She takes one look at me and breaks into a grin, the kind of grin that we know to mean that I’ve done something right. She places her palm on my shoulder and it goes up to my cheek. I lean into her, and she tells me I look beautiful. I smile, gesturing to the last piece of my getup: her diamond pendant. She unclasps it from her throat and drapes it across my collarbone, the two of us watching it glimmer. I tell her I’m glad I have a piece of her tonight. She strokes my cheek and says I always do, right here. *** There are flowers blooming on the green today and I wish I could tell you what they were. They curl in the breeze and splay in the sun and I’m reminded of my grandmother, her scrawl peppered over the drawings in my bedroom and outlining the anatomy of the purple iris she drew for me all those years ago. I wonder where she got it from, this reverence. I think of how she used to pray not just for my mother and me, but also for the trees in our lawn and the plants on the sill. I think of the carnations on our dining room table and the soft smile of my mother that means that she’s happy. There are fields of women who have been growing a secret garden in my veins and as I smell the flowers on the green, I cut my nose on a thorn. My mother’s nose, or maybe the mother before that, or maybe her mother or the one that came first. I bleed red with their love.

Little North View

Coco Kanders
April 1, 2025

Little northview, who are you? When I was younger you were love. You lived in the hallway leading up to my parents’ bedroom for a long time. I remember my socks skating along the wooden aisle in anticipation of steady, familial embrace, quick glimpse of you, quick warm sensation, quick crash into a shut door. I remember tiptoeing through the night and shamefully passing you in my failed attempt at sleep, you practically held their door open for me. You felt like an ode to the mother and child, to my mother. Were you a portrait of her pregnant with me? I often wonder. Nevertheless, through you, I felt her. Your image reminded me of my safety as I dove into a duvet of armed forces; you guarded the door. You were probably my second pair of boobs, after my mother's of course. Boobs and vaginas were everywhere growing up— interestingly, not many penis’. There are giant companion paintings that stand proudly in my mom’s bathroom: splotchy black and white strokes to form some semblance of a lady bent over (they don't hold a candle to you). When I was ten, while rummaging through my mom’s hair products on a playdate, my friend Merel Kanter asked if my parents were really into sex art. I didn't see anything volatile or inappropriate in the images throughout my house; I thought they were quite beautiful. I thought my parents were cool. I am inclined to believe that something about you should have made me slightly uncomfortable at some point in my life. Your full breasts and belly so on display, so perfect. There is something sexy about you. If I were inside you, logically, I should think you would reek of cigarettes and bad perfume that would suffocate my nostrils and lungs to a degree the smoke could never. The air would be sticky, your bodies would be sticky; I would feel claustrophobic for your child. There would be something sickly about the scene. Surely. But I don't believe this. Your hues are warm, red, and orange; you are warm. I think you would smell like the light from the window, it would be the perfect temperature, and everything would be a soft material that I would want to cocoon in. I, too, would strip my clothes and then lie my head on your belly. And close my eyes, maybe forever. I wanted to look like you. I wanted to feel like you— how you made me feel and the subjectivity of how you made others feel. I still do. I don't know if I will ever stop trying to. You are womanhood to me in a lot of ways. Then you disappeared. I don't know when you disappeared; maybe I disappeared. As I withered away, I forgot about you. I was sixteen, and my relationship with my mother turned from warm hues to cold ones—no more reds and oranges, but blacks and whites. There was no room for you to exist when I was intolerant of your symbolism. I began to try to become you in all the wrong ways, in the exploitative ones. In my defense, you were moved to the living room. I never went to the living room; I didn't feel welcome. Maybe things would have been better if you never moved. You were now the protector of my family's shared space, and I didn't feel deserving of your protection. Night after night, I would isolate, my bubblegum pink ceiling turning my juvenile room into a cozy haven in the warm light of my lamp and rose-scented candles. My stomach would grumble; I would cry. My mom would cry; my door stayed shut. Knocks after knocks, I retreat. I take hour-long baths, I watch confessionals on YouTube (sad girls mostly, coming clean), watch Mukbangs, read and reread Play It as It Lays, fold stripe socks, lose my period, and now I could never look like you. I needed my mother. I needed the love I felt sliding down the hall at maximum speed as I flew into her aching, oozing embrace. I yearned for the safety you reminded me of, which only she could tangibly provide. She tried, but I resisted. They all tried, but I kept resisting. You didn't exist. In removing myself from my family, I lost you. In breaking my family, I lost you. I didn't deserve you. Two years went by, and they had finally had enough, and I was moved too. Clementine, despite the name, was starchy, bright yellow, and smelled like kitty litter. The thick Miami heat only heightened the temperature drop upon walking inside the center; it was cold like naked weigh-ins, ventilated hospital gowns revealing my skeletal frame. Within the first hour, there was a pound of fettuccine Alfredo in front of me. My heart sank; this was so bizarre. I reckoned with my freakishness. What kind of person is punished with Alfredo? I was mute, fixed myself daily with a new book in the corner crevice of the couch, incrementally scribbling in my notepad horrible things about the other “clients”— they were anorexics, we all were. I only spoke to wail on the phone to my mom as I peeled their hideous yellow wallpaper from its already cracked disposition around the corners of the landline. I would think about The Yellow Wallpaper by Charlotte Perkins Gilman and how I read it when I toured my new high school at fourteen. Frustrated with my concession to the archetypal hysterical women, I roll my eyes, a lot. My mom would wail back to me on the phone; eventually, she stopped picking up. The unborn baby inside you, created out of maternal warmth, learns to feel herself uncomfortable in the world, unlike you. She tries to shrink, to disappear, but you can't help her; you try. You try, you try. Eventually, she picked me up. My mom and I bake. We make hot chocolate with whipped cream and marshmallows everyday for snack. My mom threw out my levis while I was away. My mom brushes my hair and draws me bathes. I return to the capacity of a child. I return to the living room. I doe my eyes in acknowledgment at you. I feel it again. The empty aching in my heart slowly starts to hum with the contentedness maternity bares. Maybe I concede again. You protect me too now. The love that was concealed in dark wooden walls and hallowed winter trees starts to creep out of hibernation. I spend less time in my room, I spend more time around you. I never recover— I heal. I locate better senses of my womanhood, you bare light and hope. You endeavor to strip back fetishism and delight in the female gaze. You are my mother in many ways. You have the same tones, the same confidence, the same beauty, the same unbothered effervescence, and the same love. Both fierce and temperamental, polarizing. I hope to become you, I hope I am on my way, I hope you meet my daughter one day.

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Our Mission

Sole Magazine was created to provide the Brown community with entertaining and informative feature writing about true events, people, and experiences but without the stylistic restrictions of hard journalism. We aim to tell interesting stories in interesting ways, using techniques of characterization, description, and theme, while experimenting with structure and tone to produce creatively crafted narratives.

Meet Our Team

Nicholas Miller '24 (he/him)

Founder

Nicholas is from Baltimore, Maryland who concentrated in English Nonfiction and Portuguese and Brazilian Studies. He has a fondness for his mini soccer ball, midnight snacks, reporter’s notepads, and the smell of books. He also likes to learn things and write about them. #goat