True Blue

October 28, 2024

Riley Stevenson

I am so in love. I thought it loudly, letting the words play through my fingers as they danced in the icy wind streaming through my window, numbing my hands, chilling my teeth, cooling my body until I felt immersed, like in cold water, sinking deeper into this feeling, these words, this moment. Friday evening, 8:30pm, I-95 heading South just to turn North again. Driving for the exact length of “Not Strong Enough” before hitting an exit and turning around. After talking about the state of the world, head in hands on Brown Street, parked car, lights not yet clicked off, sitting in the afterglow of ice cream and a long drive, considering the balance of things, shaking our heads, letting it lie in that easy silence we’ve cultivated in the last year and a half. And it feels good to be known so well. “We’re like siblings now… like I love you guys but I’m also like grrrrr,” E said from the backseat while I licked ice cream off the back of my hand, A DJ-ing next to me. I think of this line often when I’m with them, how good and raw it feels to have two people who know me better than maybe anyone ever. I remember turning to them at the concert a few months ago, always anticipating the next line, turning with emphasis, “Now, now, this one, it’s us!!!” and grabbing their shoulders, swaying on the concrete steps, avoiding the cold, sticky metal bench beneath us. Always too soon, always trying to force the point, to make sure everyone knows that the metaphor is there and that what we have is special. I can never just let it hang in the warm silence, the post-ice cream car ride, the way I know what they’re thinking before they even say anything. I always have to force it anyway. I can't hide from you like I hide from myself. I think I love boygenius so much because they’re singing about friendship. Who else does that these days? They’re singing about love, too, in a way that's gut-punching and heart-wrenching, but they’re also singing about what it means to be known so well, to be driving so fast you think you might explode in a hurricane of love and wind and desert air. On one of our drives, we recently considered the authenticity of boygenius, how real they really are or if it’s just an act, given that their brand is their friendship, their unabashed authenticity and love and gratitude for one another. When we saw them live, the eve of Julien’s birthday, they ended the show by smashing cake into each other’s faces, flinging it on the audience. Covering us all in the sticky sweet frosting of their platonic love. Not letting us leave the stadium without the knowledge that everything we see is real. And telling us that it’s easy, see? Opening up the soft, warm parts of yourself to another person or two. It just takes a little trust. A little willingness to be your unabashed self, to fuck around and find out. You can do it, too. Do you hear it? Do you feel it? I like to think that boygenius is just like me and my friends, but much better at writing it down. Their songs feel like the creations of late-night musings, the same kind of conversations we're having about love and lust, belonging, fear, abandonment. The same things we muse about on dorm room floors and fire escapes, in parked cars and over late-night drunken grilled cheeses. Even when singing about their individual selves, about failed romance and mistakes, boygenius has the unmistakable tenor of kinship, of the type of tight-knit female friendship every young woman aspires to have. Their music video for “Not Strong Enough,” a montage of a perfect-seeming day interspersed with goofy faces, heel-clicking, weird zooming, and enough personality to keep fans from afar satiated, feels real. It doesn’t feel like an act, because it’s not. I remember who I am when I'm with you. I’ve never thought about being in love with my friends, in an utterly non-romantic but nearly-codependent way. I want to take back the idea that we can only love one person at a time and in such a specific way. I love my friends, and I love to tell them that, always have, but this feels different. When I look back at this time in my life, I believe it will be marked by how infatuated, how adoring I feel about the two people I spend the most time with. It feels like being in love, that tickle in your throat, that pounding in your chest, the passion, the fierceness. It feels like loving the jagged edges, loving completely, without expectation or aspiration. I used to fear the idea that you only get to fall in love so many times, what it means to have one partner to love forever. I didn’t know about this kind of love, I didn’t know I had enough to share outside a clenched fist. It feels like that stereotypical old-person kind of love—the next day, after the car ride, E said, “It feels like we’re old and married.” It feels like knowing someone so well you know what will happen next, and also know that it doesn’t matter what does. It feels like loving without fear of being ostracized or being in the wrong. It feels like knowing how to say I’m sorry. How to say I know. How to say I don’t know. How to say I love you. Maybe it just feels like growing up. Who won the fight? I don't know / We're not keeping score. Often we say I love you through music. Through the hollering into the cold night on the highway, screaming our biggest fears as we pass beneath billboards and street lights. I tell my parents I’m glad to have my car at school because I can go home, but really it’s for nights like this. We love boygenius the most, the three of us taking on their personalities as an electrifying Halloween costume. Our friendship was born into a “$20” landscape, and those chords never fail to kick us all into glorious cavorting. boygenius makes music for driving fast in unfamiliar places. When I can’t fathom doing a minute more of schoolwork, this is what we do–drop everything to get in the car and drive to the beach, skinny dip in the chilled Rhode Island water, the words to the songs we love the most and drive fast fast fast on the highway. I find myself daydreaming about taking off, heading west, until we hit those wide open roads Phoebe and Lucy and Julien promise us, the high canyon walls holding us close, like an orange-hued pinky promise. Most of all, I fear when these moments end. I fear returning to campus. Parking the car. Taking a hot shower to melt off the salt and sweat and erase the chill that’s starting to steep. I fear moving out of my last dorm room, our first and last shared apartment, when we all head off to our own stages, a constellation across this country or maybe hemisphere. What about the beach? The car? What about the music? What about this love? Maybe we’ll skip the exit to our old street and go home. Or maybe this is the moment, singular and alive, breathing in us long after we leave. Hold onto it, but don’t force it. Your love is tough / Your love is tried and true blue.

Language Undone

Juliet Corwin

April 15, 2025

I was born in silence. In the first year of my life, my hands and my face were my only ways of communication. My curiosity was not limited by a lack of sound, and as an infant I absorbed the colors, shapes, textures, tastes, smells, and vibrations all around me. I spent much of my time on the floor—in part because walking is a skill that takes practice, but also because lying on the floor is the best way to experience the world. Through the floor, my body learned to recognize my father’s footsteps, a closing door, my sister’s excited hops, the calm ring of my mother’s laugh. I learned the different meanings of eyebrow and lip movements, which twitches meant worry and which meant laughter. My parents, both hearing, spoke endlessly to me, pressing my hands to their throats so I could feel the changes in pitch, the pauses in their words. I remember the warmth of their skin, the steady hum of their voices against my palms. They picked up elementary signs to teach me, pairing them as best they could with the words streaming from their mouths. My first signed word was “shoes,” two fists knocking together—sometimes I wonder if this wasn’t just an accidental bump of my knuckles. My pudgy fingers learned to fly. Soon my words soared through the air, my sentences sprouting wings, flying higher than my parents’ unpracticed eyes and hands could reach. But Mmy parents made the decision to raise me with hearing technology in the hearing world. This was by no means an easy choice, but the world has not been a kind place to Deaf people, and has been particularly unkind to Deaf women. My parents wanted their daughter to be safe, to be autonomous, to feel that this life was mine to create. *** I was one year old the first time a surgeon drilled into my skull. In a cochlear implant surgery, a small area of the skull is shaved away to create an indent in the shape of a tiny upside-down snowman, an exact match to the internal magnet which is placed in the indentation and cemented in with bone paste. Attached to the magnet is a string of electrodes, which are wound around the cochlea in place of cilia, the tiny hairs along which soundwaves dance to the brain. As a result of a recessive gene, GJB2 Connexin 26, my cochleas cannot receive sound properly. The cilia that transmit waves to my brain are absent, broken, bent, or lonely. Through two surgical procedures for cochlear implants, my cilia were replaced by electrodes spun through the spirals of my cochleas, which now receive electrical signals from an external processor. This leaves the bones in my ears without a job. I hope they are not too bored. There are three bones in each ear, named for a hammer, anvil, and stirrup. They bring vibrations from the eardrum to the inner ear by turning them into waves that can travel through the membrane and fluid of the inner ear. Their main function is to bring sound to the cochlea, which connects to the brain. The bones in my ears, dedicated to connecting my eardrums to my cochleas, must be very confused. Soon after getting hearing technology, my preschool teachers held my hands in my lap and I was taught to speak using only my mouth. For Deaf children that are turned into deaf children—assimilated into the hearing world through the use of hearing technology and verbal language—there is debate around continued use of sign language. Some believe that a focus should only be placed on spoken language, as it is assumed that young children will default to sign language if given the opportunity to use it freely. The first time a scalpel graced my skin it un-capitalized a letter, grazed my not-yet formed identity. The second time a scalpel stroked my flesh it cut away a language in my fingers. *** The human hands generally consist of twenty-seven bones each. Eight carpal bones, formed in a row between the wrist and the palm, five metacarpal bones reaching up to the fourteen phalanges that hide in the fingers. These bones are carefully situated so that the hand is flexible and can rotate freely. Two sets of twenty-seven bones working in tandem are used in nearly every human activity. My two sets of twenty-seven bones grew wings, flew too close to the sun, and were left stunted and slow. In my oralist early-intervention education program, my hands were not free. My eyes were trained to read lips and to maintain eye contact at the same time. I still rely on lips about thirty percent of the time, and more in poor acoustics. Reading lips is a skill that I tire of sometimes. Each person, regardless of their language, moves their lips and shapes their sounds differently. Each person I meet means a new pair of lips to learn. As a toddler I was presented with posters and books of cartoon faces squeezed into scary expressions, rewarded with smiles and cheers when I spoke and left my hands behind. Every year since I was one, I have been led into listening booths and told to repeat the words coming at me through a speaker until the heavy, sound-proofed door opens again. This process typically takes about three hours in total, and leaves me exhausted and drained for the next two days. I often grow increasingly tired as the tests go on, and I begin responding to beeps that haven’t played or saying nonsense words back to the speaker. *** I’ve always found it difficult to speak up. I’m not sure how much of this is due to being a deaf woman. I don’t trust my mouth to make the correct sounds. I am scared to take up space in the hearing world, terrified of what it may mean to remind those around me of my disability, of my constant accommodation of their language and lifestyle. Sometimes, a word will slip out of my lips coated in the Deaf accent I still sneak back into at night, and I will pray it goes unnoticed. I grew up being complimented on my clear language, on how invisible my disability was. My preschool classroom was a praise paradise, so I fell in love with hiding this part of myself. I was good at it, and even at that young age I understood that in order to succeed, hearing was the best thing I could be. I used to dream of waking up to noises instead of light. From a young age I knew I was supposed to speak up when I needed more. I was taught to advocate for myself, to explain my disability and to demand accommodations from reluctant ears and swatting dismissals. I was never taught how to say no to a man who was determined. I didn’t know how to run away from someone who showed me affection, even when he became an aggressor, attacked me in a way that seemed far too easy and familiar. Eighty-three percent of disabled women are sexually assaulted in their lives. I had watched a boy turn into a predator, naively believing that I didn’t make for easy prey. I fell into the hands of a boy on the hunt and found myself helpless. In all my training of how to gracefully need more, I hadn’t been taught when to walk away. Under his grip, my hands forgot how to fight as quickly as they forgot their first language, lay limp by my sides the way they were trained to. My protest, rough against my lips, lay in the air and settled along the dust on my cheek, pressed to the floor. *** When I was nineteen, a pulsing tattoo gun scraped along my right hip. A black-ink fine-line daffodil. I was in Minnesota, fighting to keep my body with me. I was a few months into my first year of college, in denial about the flashbacks that kept me awake and the nausea I couldn’t push down when I kissed new people. I told myself he couldn’t follow me here, told myself that was enough, and called my new ink a sign of how healed I was. Daffodils represent forgiveness and rebirth. A type of starting over that accepts the past. I was trying hard to be a daffodil. I wanted to be a flower, open and bright, standing tall on my stem. I wanted to cover up the handprints I felt along my hip with petals and leaves. The artist was rude, which felt unfair since she was dragging a needle through my skin. She started the appointment an hour late, glared at me when I presented a sketch of what I hoped the flower would look like, and silently drew her own version instead. Hers was much better than mine, and I quickly admired the purple outline along my skin before settling in for the session. She didn’t ask me what the tattoo meant, just told me to sit still. At one point she asked me, annoyed, if I was holding my breath. I was. Over the years I have collected more ink, sprinkled over me in whispers. Behind my ear hides a black-ink fine-line outline of the sun. My earliest memories are silent and bright. Fuzzy rays of warmth, dust floating and illuminated in front of a glowing window. The few mornings that I am left to wake without an alarm, I open my eyes to a shift in the light. The first moments of the day are my tired blinks and the beckoning brightness.

House Home

Anonymous

April 12, 2025

House, Home I would sleep in the woods every night if I could. To the times when the morning sun's motherly warmth caressed my face, which peeked out from the top of my sleeping bag. My eyes opened slightly as my ears were entranced by the Mountain Chickadee’s singsong tune somersaulting through the forest, and I threw on my jacket to combat the crisp mountain air. Unzipping the tent, my lungs filled with the purity of pine and burning logs coming from the small fire my father was nursing to warm up frigid backpacking hands. Later I spun around in a circle and pointed to the highest mountain peak I could see, stating that we must reach the top. Leaving the campsite we climbed higher and higher into the thick Evergreen forest; jumping through boulder fields and laughing our way to the summit where the sky was unlimited and all ours. We did snow angels in the July leftovers that we supposed stayed unmelted for the sole purpose of our moment above the clouds. As the sun began to tire and drop from the middle of the sky, we found a lake fed by waterfalls, gurgling pools twirling down a snow melt stream. There was a rock near the center of the lake and we knew that we had to swim to it. My mother smiled as she took out her camera and 1, 2, 3, we grabbed each other's hands and jumped. Our bodies paralyzed with the shocking cold, we gulped for air as instinct and adrenaline propelled us further and further away from the safety of dry land. We reached the rock and flopped down, soaking up the sunshine’s radiating warmth. Our hearts beat raw against our chests, our skin painted with goosebumps and mud. We wondered if any other humans had stepped onto this rock island deep in the Rocky Mountains or if we were the first ones. Our own little palace. Our own little world. One where we could write the rules. All ours. +++ She stood outside, her backpack coated with a layer of dirt and twigs that had decided that her pack was a much more sensible home than the mountain trail she had hiked alone earlier that day. Her head rested on the wall of the house behind her and she traced her fingers across the bricks, feeling the peaceful protection of where she had been break into leftover memories drowning in the corners of her mind. Her heart quickened in anticipation and she counted to ten before turning around, taking one final deep breath, and sliding open the side door of the house. The screaming echoed off the panes of the windows and she felt her fists tighten until her knuckles turned white. She hesitated slightly, eyes glued to the floor, before forcing herself to go inside the house. Mom, Dad? Go to your room. +++ In elementary school, my class would go camping in the mountains twice a year. I would pack my sleeping bag, sleeping pad, extra clothes, and a backpack, a daypack as we would call it. It was filled to the brim with everything you would ever need for any kind of mountain weather: sunscreen, a rain jacket, a fleece, gloves, a camelback, a sun hat, a winter hat, rain pants, snacks, and sunglasses. I would wait by the door of my house jumping up and down in excitement until I was taken to school. We went rafting down the Colorado River, biking through the red crushed arches of Moab, and backpacking in the Rocky Mountains. Returning with my face covered in mud and a head packed full of stories that would sooner than later turn into dreams. +++ She got to her room and shut the door softly, hoping her parents would forget that she was there at all. Looking up at the ceiling, the lights appeared to twinkle through the tears flooding her eyes, though without the comfort of the stars that blanket the mountain’s night sky. The walls of her room reverberated with the growing terror in her heart as she shoved a pillow over her ears to muffle the repeated sounds of strikes echoing through the kitchen. She wanted nothing more than to go but was too scared to move, sickened with the hope that her mother’s rampage would end before it was turned towards her as it so often was. That one day, the yelling and pain and tears would stop and her house could become a home. +++ Why are you in the woods? My friend texted me and I turned my phone away from my face, replaced instead with the dark sky and steadfast trees. I marveled at the fact that I somehow always ended up here. As if my feet carry me to safety if my mind starts to flood too deep into sinking swirls. Tears rolled down my face and I used the cuff of my shirt to wipe them away, softly accompanied by a lullaby conducted by the echoes of the trees. Because when you are in the woods, what does real life really mean anyways? Back to the primitive being of true humanity. Finding food and water and wood to stay alive. Telling stories you would never think to share if your mind wasn’t given the opportunity to wonder. Where the natures dance becomes your family and the trees your home. Please let me come. You are not a burden. Okay. And so he ran down to the edge of the woods and together we lay side by side, the stillness between us holding more than words ever could, the smell of moist wood and falling leaves lulling us into a safe security that tomorrow could never bring. +++ Sometimes she doesn't sleep in a tent but opts instead to sleep outside under the stars. The quiet surrounding her is a safe embrace as if nothing can hurt her as long as stay within the limits of the trees. Because no one is angry in the mountains. +++ In the woods I am home.

Inheritance

Deeya Prakash

April 1, 2025

Whenever someone compliments my nose, I flick the tip of it with my thumb and smile, not so much because of their kindness but because my nose looks just like my mothers— sharp, defined, just the right size for my face. I think about her mother and her mother and the mother before that, passing down flared nostrils and bony bridges until they merged and became the central feature of my face. I think about how humans have the beautiful ability to resemble. Animals certainly have their own version of such a thing, shark pups blossoming into identical copies of parents they will never see again and baby parrots lining their feathers with their father’s streaks. But the human ability to inherit like beads on a string is another sort of wonder. For how wonderful to see your eyebrows on your daughter, your knuckles on your son? How incredible it must be to watch your grandmother pass down what you thought was a scar? The biology of our nature is nothing if not incessant, and yet it passes me by like the morning news. One day I am flipping through old albums and I catch a glimpse of my mother, wrapped in a sari and kissing my father on the cheek. I’m struck by her beauty– the arch of her cheek, the swell of her chin. I look in the mirror and pause, fingers on my face as I trace her features on my skin. How wonderful, to sit here and worry about the future when there is assurance that I will live on. *** My mother loves flowers. She points out the hydrangeas and the chrysanthemums and those little yellow ones that bark like dogs, picking them off the stem and placing them in my palms. When I am young, she pulls them apart and shows me their parts, running her fingers over their pistils, their ovaries, the style. We both marvel that something so small can do exactly the same things that we can: make themselves all over again. My mother may love flowers but the mother before her lived for them, sketching them in her leather bound notebook with a magnifying glass in her pocket and charcoal on the pads of her thumbs. My grandmother pressed daisies and grew alstroemeria, raising her daughters with petals in their hair and pollen in their lungs. She taught botany at the school down the street and I bet she was good at it too, her wallshouse always displaying her meticulous drawings of the begonia and the marigold and smelling of the rosewater in her tea. As such, my mother’s DNA spun with daffodils and marigolds, and she inherited the love for botany like it was the crease in her brow. I listen to her tell us about my grandmother and the notebook and the carnations, and how they last the longest when cut and bloom bright in a vase. We walk on the trails of Cincinnati, Ohio, and she plucks the leaves of the borages and stuffs them in her mouth, telling me that if I wanted to, I could too. I do not know much about plants, despite the women in my life who grew alongside them, and there is a certain sadness associated with the idea that I cannot inherit everything from the wonders that came before me. My mother worships the Icelandic poppies like my grandmother would with fresh jasmine, and instead I walk to the local corner store, buying my mother discounted carnations for her birthday and hoping I’ve remembered right. I pray my daughter likes flowers, or maybe her daughter after that. *** The first time that biology stops me in my tracks is when I read about DNA replication. Sitting at the dining table and splaying out my work, there's a picture in my textbook that catches my eye, wildly colorful and speckled in shine. Forty minutes later I have learned all there is to know about the complex procedure happening millions of times per minute within nearly every cell in my body. I am aghast as my eyes fly across the page, conceptualizing the DNA Helicase that takes me apart and the Ligase that puts me back together, all before dinnertime. I stare, transfixed, focusing my eyes to my hands on the pages as if I could somehow watch this play out in front of me. The nucleotides rush together in a swarm and hold hands like old friends and it is then I realize that my mother is snapping her fingers in front of my face like I’ve just gone off and not told her where. The movement of her fingers transfixes me, because I think they are the same ones that were just I’ve seen those before, placed uponon my textbook and tracing the words on the page. My DNA may be replicating, but half of it is hers, reflecting in the veins of her hands and the lines on her palm. There is DNA that just passes maternally; within the mitochondria lies genetic material, exclusively passed through kisses on foreheads, tuck-ins at night. I like to think that all the best of me is from those swirls of traits, nestled between harsh advice and that face she makes when I’m wearing something far too casual for the occasion. When I learn about this, I want to split myself open and see the evidence oflook at how much she has truly given me. I’d imagine I’d see my grandmother there, too, and the mother before that and the one before that, curled up at the center of my chest and breathing me whole. *** It’s the night of my senior prom and I walk into my parent’s bedroom, giving my mother a little spin. She takes one look at me and breaks into a grin, the kind of grin that we know to mean that I’ve done something right. She places her palm on my shoulder and it goes up to my cheek. I lean into her, and she tells me I look beautiful. I smile, gesturing to the last piece of my getup: her diamond pendant. She unclasps it from her throat and drapes it across my collarbone, the two of us watching it glimmer. I tell her I’m glad I have a piece of her tonight. She strokes my cheek and says I always do, right here. *** There are flowers blooming on the green today and I wish I could tell you what they were. They curl in the breeze and splay in the sun and I’m reminded of my grandmother, her scrawl peppered over the drawings in my bedroom and outlining the anatomy of the purple iris she drew for me all those years ago. I wonder where she got it from, this reverence. I think of how she used to pray not just for my mother and me, but also for the trees in our lawn and the plants on the sill. I think of the carnations on our dining room table and the soft smile of my mother that means that she’s happy. There are fields of women who have been growing a secret garden in my veins and as I smell the flowers on the green, I cut my nose on a thorn. My mother’s nose, or maybe the mother before that, or maybe her mother or the one that came first. I bleed red with their love.

Little North View

Coco Kanders

April 1, 2025

Little northview, who are you? When I was younger you were love. You lived in the hallway leading up to my parents’ bedroom for a long time. I remember my socks skating along the wooden aisle in anticipation of steady, familial embrace, quick glimpse of you, quick warm sensation, quick crash into a shut door. I remember tiptoeing through the night and shamefully passing you in my failed attempt at sleep, you practically held their door open for me. You felt like an ode to the mother and child, to my mother. Were you a portrait of her pregnant with me? I often wonder. Nevertheless, through you, I felt her. Your image reminded me of my safety as I dove into a duvet of armed forces; you guarded the door. You were probably my second pair of boobs, after my mother's of course. Boobs and vaginas were everywhere growing up— interestingly, not many penis’. There are giant companion paintings that stand proudly in my mom’s bathroom: splotchy black and white strokes to form some semblance of a lady bent over (they don't hold a candle to you). When I was ten, while rummaging through my mom’s hair products on a playdate, my friend Merel Kanter asked if my parents were really into sex art. I didn't see anything volatile or inappropriate in the images throughout my house; I thought they were quite beautiful. I thought my parents were cool. I am inclined to believe that something about you should have made me slightly uncomfortable at some point in my life. Your full breasts and belly so on display, so perfect. There is something sexy about you. If I were inside you, logically, I should think you would reek of cigarettes and bad perfume that would suffocate my nostrils and lungs to a degree the smoke could never. The air would be sticky, your bodies would be sticky; I would feel claustrophobic for your child. There would be something sickly about the scene. Surely. But I don't believe this. Your hues are warm, red, and orange; you are warm. I think you would smell like the light from the window, it would be the perfect temperature, and everything would be a soft material that I would want to cocoon in. I, too, would strip my clothes and then lie my head on your belly. And close my eyes, maybe forever. I wanted to look like you. I wanted to feel like you— how you made me feel and the subjectivity of how you made others feel. I still do. I don't know if I will ever stop trying to. You are womanhood to me in a lot of ways. Then you disappeared. I don't know when you disappeared; maybe I disappeared. As I withered away, I forgot about you. I was sixteen, and my relationship with my mother turned from warm hues to cold ones—no more reds and oranges, but blacks and whites. There was no room for you to exist when I was intolerant of your symbolism. I began to try to become you in all the wrong ways, in the exploitative ones. In my defense, you were moved to the living room. I never went to the living room; I didn't feel welcome. Maybe things would have been better if you never moved. You were now the protector of my family's shared space, and I didn't feel deserving of your protection. Night after night, I would isolate, my bubblegum pink ceiling turning my juvenile room into a cozy haven in the warm light of my lamp and rose-scented candles. My stomach would grumble; I would cry. My mom would cry; my door stayed shut. Knocks after knocks, I retreat. I take hour-long baths, I watch confessionals on YouTube (sad girls mostly, coming clean), watch Mukbangs, read and reread Play It as It Lays, fold stripe socks, lose my period, and now I could never look like you. I needed my mother. I needed the love I felt sliding down the hall at maximum speed as I flew into her aching, oozing embrace. I yearned for the safety you reminded me of, which only she could tangibly provide. She tried, but I resisted. They all tried, but I kept resisting. You didn't exist. In removing myself from my family, I lost you. In breaking my family, I lost you. I didn't deserve you. Two years went by, and they had finally had enough, and I was moved too. Clementine, despite the name, was starchy, bright yellow, and smelled like kitty litter. The thick Miami heat only heightened the temperature drop upon walking inside the center; it was cold like naked weigh-ins, ventilated hospital gowns revealing my skeletal frame. Within the first hour, there was a pound of fettuccine Alfredo in front of me. My heart sank; this was so bizarre. I reckoned with my freakishness. What kind of person is punished with Alfredo? I was mute, fixed myself daily with a new book in the corner crevice of the couch, incrementally scribbling in my notepad horrible things about the other “clients”— they were anorexics, we all were. I only spoke to wail on the phone to my mom as I peeled their hideous yellow wallpaper from its already cracked disposition around the corners of the landline. I would think about The Yellow Wallpaper by Charlotte Perkins Gilman and how I read it when I toured my new high school at fourteen. Frustrated with my concession to the archetypal hysterical women, I roll my eyes, a lot. My mom would wail back to me on the phone; eventually, she stopped picking up. The unborn baby inside you, created out of maternal warmth, learns to feel herself uncomfortable in the world, unlike you. She tries to shrink, to disappear, but you can't help her; you try. You try, you try. Eventually, she picked me up. My mom and I bake. We make hot chocolate with whipped cream and marshmallows everyday for snack. My mom threw out my levis while I was away. My mom brushes my hair and draws me bathes. I return to the capacity of a child. I return to the living room. I doe my eyes in acknowledgment at you. I feel it again. The empty aching in my heart slowly starts to hum with the contentedness maternity bares. Maybe I concede again. You protect me too now. The love that was concealed in dark wooden walls and hallowed winter trees starts to creep out of hibernation. I spend less time in my room, I spend more time around you. I never recover— I heal. I locate better senses of my womanhood, you bare light and hope. You endeavor to strip back fetishism and delight in the female gaze. You are my mother in many ways. You have the same tones, the same confidence, the same beauty, the same unbothered effervescence, and the same love. Both fierce and temperamental, polarizing. I hope to become you, I hope I am on my way, I hope you meet my daughter one day.

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Language Undone

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