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I Miss the West

December 1, 2024
Mason Scurry

I woke up this morning yearning for wide, windswept roads, red rock, and mountain views through hot windowpane. Instead, I woke up in Providence, Rhode Island, missing a hometown 2,000 miles away. I miss the West. I miss my home. I miss the natural playground I grew up in, I miss falling in love on rockslides and meeting up with friends at trailheads and roadside diners and family-owned small-town breakfast places. I miss rippling fields of Indian Paintbrush, snowmelt waterfalls striking my scalp, burnt orange sunsets through smoky skies. When I was a kid, I hated Montana. Newcomers would come and gawk at the expansive mountain views, swoon over the shops in downtown Bozeman, and complain about growing up elsewhere. I never understood their obsessions. I’d been gazing at those mountains and shops since before my eyes were fully developed, I was touching pine trees and collecting bits of moss before I could walk, and starting ski lessons just after. Montana was all I knew. The mountain ranges marked not just the edge of the horizon, but the edge of my world. I never got the experience of seeing those mountains for the first time. For me, it was a mundane, everyday backdrop, meaningless gray, blues and greens. My parents were different. Neither one had been ‘out west’ until college. My dad applied to a job in Yellowstone impulsively and moved with 2 weeks' notice. My mom took a summer job here and never left. But I loathed Montana—my prison, a barren hellscape, devoid of people and just about everything else. Western cowboy-bolo culture always felt foreign. I craved marble fountains, whooping sirens bouncing off cement, pigeons. I craved crowds and buildings I had to crane my neck to see the top of, brownstones and urban gardens. I told my Mom once, in Chicago, “Nothing happens at home. Everything happens here.” But for some reason, this morning, I miss Montana. I miss the rest of the West, too. I miss Utah’s otherworldly cliff faces and sandy bellows, I miss Idaho’s pine forests, Oregon’s waterfalls pouring from mossy, black rock, California’s wide, wet tree trunks in inconceivable proportion, Nevada’s dried sagebrush leading nowhere, Wyoming’s two-laned highways and weathered church steeples. For two years, I tried hard to avoid going home for the summer. It felt like a regression. It didn’t feel right to go to college, to live alone and fiercely on the East Coast, to galavant around Boston with my newfound friends, and get drunk at bars with my fake ID. My attempts to secure a job were unsuccessful though, and the summer of my freshman year I stayed home. I traveled often, but when I was home, I stayed busy to keep my mind quiet and started a blissfully all-consuming business. Truly, that was the summer of escape. Escape from the backyard I grew up in because I was too old and it’s too well explored. Escape from thousands of trails I used to use for wildflower and mushroom hunting. Escape from a place that formed me, my body, soul, heart, and mind, a place I had no idea how to love. My second college summer, I went home again. Mania has a way of disrupting a person’s life. I completed two classes that semester, one book, and zero internship applications. In the mental hospital, I ‘knew’ I’d spend the summer road tripping with my ‘soulmate,’ showing the world what true love was. We’d soar above the Grand Canyon. When you’re manic anything is possible. As my delusions faded and I returned to my safer (though less interesting) existence in the real world, I told my nurses I’d spend the summer road tripping, writing, and selling copies of my published book to small-town bookstores. But the plan never came to fruition, so once again, I was stuck in Montana, the place I had just managed to escape from. But everything changed when I stumbled into love last summer. He loves Montana. He’ll be there for the rest of his life, ranching, moving water, birthing cattle. The edge of his world is the edge of his horizon, and the yearn to leave will never be strong enough. That gave our love an expiration date, because my home is not Paradise Valley, it is not Sheep Mountain, it is not Ennis or Bozeman or Yellowstone or the Gallatin or the seas of wildflowers. But somehow, this morning, I miss the West. I miss how I’d clamber onto the back of his four-wheeler and we’d roar upward toward a breathtaking view of the sunset. It splattered reds and oranges on the backsides of rocky peaks like a blind painter. I miss him in the driver's seat, searching dirt roads and creek beds for solace. I miss those afternoons and evenings because though I didn’t notice then, I wasn’t just falling in love with him. I was falling in love with Montana, reworking my relationship with the place. Don’t get me wrong. This is not some ultimate declaration of love to my hometown. This essay is not a shot in the dark, it’s not some pronouncement that I’ll be spending the rest of my life in a white two-story farmhouse with a porch swing and an aversion to urbanization. But it is to say that I miss the West, despite everything. He transformed my resentment into gratitude, untanlged my mind, and did some much-needed untangling. I left him, he left me, and then we left each other, and now I’m left nostalgic. I spend a good amount of time, now, in the warm embrace of nostalgia. That’s always been true, but never in my life has it been directed so westward. I’ve been remembering a road trip with two friends, a northbound drive up the coast of Oregon. On the left side of the Subaru Outback was the ocean, its sky-blue surface pierced by rock spires, irritating the water, turning it white and frothy. To the right were tree trunks drowning in thick, soft moss, stretching upward through a bed of dead stuffs rotting from the moisture in the air. The views were panoramic. Pristine beaches, oceans, and forests burdened with life as far as the eye can see. I’ve been remembering a hole my sister and I dug in our backyard. May brought snowmelt and our first ‘digging days’ of the season. We dragged shovels, a pick ax, gardening tools, rakes, and mallets from the shed to the backyard. The hole was sheltered between two huge pine trees and a medium-sized cottonwood. We kept a wooden stool back there too, so one of us could sit while the other hacked. The ground was always dry and unforgiving, though. Years of toiling amounted to a hole that was just a foot deep and two feet wide. I’ve been remembering time in the woods and on the edges of cliffs in the heart of the wilderness. I’ve been remembering spontaneous camping trips, screaming my heart out across mountain lakes, caves I discovered, piles of pinecones, and bike rides along rivers. I’ve been remembering all of this and more, because now that I’ve truly escaped my home, now that I have an apartment on the East Coast and no plans to cross over to the other side of the Mississippi any time soon, now that I’m living this life, I’m realizing I’m living the dream of the trapped, timid, resentful boy I used to be. And whatever I do, wherever I end up, whoever I become, and whichever path I choose, I’ll need wide open spaces, night skies overburdened with stars, and campsites miles away from any sign of life. I guess it’s just who I am.

Most Recent

Most Recent

On MRI Machines, Cabinets, and Freshman Triples

Ina Ma
October 16, 2025

Things they don’t tell you about science: $110. They give you $110 for an MRI study. Or they do tell you, but only after you’ve read the newsletter and clicked the buttons and sent the emails, curious because you never had an MRI before. Then they tell you the magic number you will sell a few hours of your time for, to satiate your curiosity. You write about yourself in the email: 18 year old female, normal and corrected to vision, meets all requirements for the study, no issues, you are nothing less than perfect. Sidney E Frank Hall, opened in 2006, is a beautifully modern glass building that should be put on the front page of a brochure for Brown. The MRI Research Facility is in the basement of SFH, beneath the crushing weight of the five-story, 169,000-square-foot structure. You can touch the ceiling if you stand on your tippy toes. They will put you in an EEG cap and spend two hours gelling you up. They will press the metal nodes against your skull and it will teeter between pressure and pain. The gel gets inserted with a plastic syringe and forms an uncomfortable cool wetness between your hair and the cap. You may fall asleep between the methodical workings of two strangers. It is okay if you have a thin metal wire behind the rows of your teeth, permanently bonded to keep your teeth straight after two years of orthodontic treatment. It is okay if you forgot to mention it the first time they go over the screening questions because you will remember it the second time and your orthodontist will send them an email. The researcher says it is okay and your orthodontist says it is okay. You will still worry that the MRI machine will rip it out of your mouth with its magnetic force, and then your teeth will no longer be straight. The MRI machine is beautiful. She is sleek, white, and powerful, illuminated by a halo of soft yellow light. She thrums beneath your feet because she is alive, sending quiet reverberations running down your spine. The facade is ruined by a gray line of fraying duct tape running down the inner seam of the scanner. MRI immobilizers made of foam and gel slot you into place on the patient table. You feel like a mounted animal, ready to be stuffed and posed—the immobilized yellow perch screwed to driftwood, the paralyzed bluegill flush against his plaque. The patient table is thin and flimsy plastic quaking beneath you as you are mechanically moved into the all-encasing white of the scanner. They cover your body with a white sheet to keep you warm. You are a draped cadaver being slid into the mortuary cabinet. The. MRI. Tube. Is. Smaller. Than. It. Looks. They can taste your discomfort. They are kind. One offers to play a video of fish as they set up. You will watch the video of fish. The fish will swim when you cannot. You ask if you can be taken out between the assignments (no), if they can talk to you during the assignments (no), if you can wiggle your head a little (no). Once you are done with your silly questions, the machine will rumble to life. The song of the scanner swoops between pitches, high to low, beeping to booping. Between each bar the scanner shakes. You are lulled by the machine. Guilt. You aren’t supposed to be dozing off, but you are. Trapped between the sterile white walls of the scanner, your mind is the only thing that can spin, so you sleep to escape. You try to summon the comfort you found in small spaces as a child, squeezing into cabinets and sliding under the bed, but it doesn’t come to you. Don’t let the nausea overpower you. Click your button instead. Click. Click. Click. They will pull you out. You won’t be in there forever. You peel the EEG cap from your head. The gel will have begun to dry and crust on your scalp. You will be annoyed at having to wash it out later. In the moment you will only be able to feel the crashing waves of relief. It surprises you that what surprises you is they pay you in cash. You were expecting something digital, or at least a check. When was the last time you held so many crisp tens in your hand? You will take a nap afterward. about growing up: There exists a hexagonal wooden model a little less than 30 inches in all dimensions and of a deep walnut hue. You are young, so you are only two cabinets tall. The cabinet has a pair of inset wooden doors, each decorated with an ornate curved brass handle. The doors were engineered in such a manner that you can only open one from the outside and have to push the other open from the inside. It takes a tug—the cabinet resists. Online quotes of similar prototypes go up to $1,000, but knowing your parents and the timeline of cabinet acquisition, it was rescued off the side of the road or from a neighbor’s driveway yard sale. It is fun to play pretend. You meticulously move the vintage holiday mugs full of cables, discarded cardboard children’s books, and other miscellaneous items out of the cabinet. The cabinet is your den and you are a mother fox, the cabinet is a mountaintop cave and you are a dragonet, the cabinet is safe and crushing comfort. Slowly, the cabinet will shrink and the space between your skin and its walls will grow smaller. One day, you realize you cannot fit in the cabinet at all. You are hit with a feeling of loss but you do not know what you are missing. about dorms: Some triples are 537 square feet. Some triples are 259 square feet. Some triples have the floor’s electrical closet jutting into the room, making the narrowest part of the room 38 inches wide. Just enough to slot a twin XL mattress. Some triples are too small for three people. Once you move into your dorm, it will be even smaller than before. Your things seem to inch forward, taking up more room until you periodically push them back into place. They are crowding for more space, your space, so you will have to fight for it, shoving clothes into wooden dressers and memorabilia into plastic gallon bins. When you lie on your 38 by 80 inch twin XL at night, you imagine you can feel the walls of the room move to the breaths of your roommates. Your bed is pushed flush against the wall and the wall pushes back—no matter the season, the painted cinder block is strangely chalky and clammy to the touch. You imagine the wall is sweating. Your third roommate moves out. Somehow, the room feels larger and smaller than before. Her part of the room is crossed off with an imaginary line and when you step over, you can feel the oxygen atoms that long exited her lungs rattle around yours. There is nothing left but bare matress and uncovered tabletop. She had the narrowest part of the room. Maybe that’s why she left. The ceiling is stooped so that if you sit on the bed and stretch your spine, you can brush the roof with your fingertips. Neither the overhead fluorescent lighting nor the narrow windows can reach into the dark corner. about all of the above: Forget. Spend the $110, move the cabinet to the garage, pack your things and relocate. Forget the jarring roar of the scanner, the feeling of wood grain against your skin, the sweaty cinder block walls. Fact: you will continue to be forced into spaces too small for comfort. You will never stop growing out of your safe spaces. Every refuge is temporary. Grit your teeth, claw your way out, turn the four alien walls into your home. When trapped, learn to recognize when you should muster courage to stomach the discomfort and when to force the space to fit you. Understand when to move on, and you will burst out of the wooden cabinet that can no longer contain yourself.

Magic: A Sole Collection

Maison Teixeira, Sia Han, Desi Silverman-Joseph, Ina Ma, Luca Raffa, Juliet Corwin, and Annabelle Stableford
May 28, 2025

The fourth edition of our Collections series asks our staff writers to interpret the word “magic,” and all the memories, postulations, and emotions that come with it. From childhood wishes to peeling clementines to the process of illustration and design, our writers probe deep into their schema and produce exciting perspectives on the magical elements within our world. Porku - Maison Teixeira The small island of Brava goes completely dark every midnight, when the government shuts off all the island’s electricity—street lights, lamps, TVs and all. Ne walks home from work and checks his watch—it’s 11:57 PM. He starts to run, but doesn’t make it home before the lights go out on Brava. Luckily, the moonlight is just bright enough to see his path home. Ne keeps running, whizzing by the houses, trees, and bushes in his small, rural town. Then, out of the bushes bursts a PIG, fat enough to roast over a fire, followed by her six stumbling piglets. The mother pig hisses at Ne. He breaks into a sprint, then turns around to find the mother pig galloping behind him, her six piglets in tow. Ne tries to sprint faster, but the pigs always manage to catch up. Stopping to catch his breath at a tree, Ne has an idea. He grabs a branch from the tree and whips around to face his pursuers, striking them with his newfound weapon of choice. The pigs return to the woods, limping and whimpering. Ne 1, pigs 0. *** The sun shines over Brava. Ne walks the same path where his fateful standoff against the swines had taken place a few days prior. On the path is a lady who is followed by her six children. The lady has a sling on her arm, and her kids limp behind her on crutches. “What happened to you?” Ne asks her. She glares at him angrily and walks away, her kids trembling in fear as they stare back at him. Clementines - Sia Han I’m really good at peeling clementines. By good, I mean I can peel one in under 10 seconds and all the way around so all you’re left with is one long, winding spiral of peel. How do I do it? Well, first, get a good grip: dig in your thumbnail and carve out a circle around the little green knob. Make sure it’s wide enough, ’cause if your starting point is too thin, it'll tear. And to be as efficient as possible, peel using the blunt side of your thumb at a 45° angle as you turn the clementine in the other hand. To let you in on a secret though, I didn’t peel my own clementines until I was 15. I hated the way strips of peel and pith would lodge themselves into the crevices beneath my nails, how the smell would stain the tips of my fingers and linger all day. So I always got my mom to do it for me. It was like magic, how with one touch she could tell how ripe a clementine was and how, if she thought it was too sour for my liking, she’d wordlessly put it aside to search through the bag for a better one. How her thumb always seemed to know exactly how deep to dig before piercing skin, her thumbnail reemerging slightly yellow, stained by pith. And how she’d roll it, peel-pith-patches and all, back in one, endless, graceful brush of the hand. I’d watch, fascinated and wary. She complains to me now that her nails have lost the pinkish tint and slight curvature of mine, now yellow, opaque, and flat. It’s like someone squeezed each nail so hard, the edges have lifted and the color has been wrung out like a wet towel. I think I could reach over and just peel one off. Today I peeled a clementine. The skin was very thick, but it was okay because I cut my nails last night. And it ended up breaking three-fourths of the way done, but it was okay because the second piece kinda looked like Brazil. I shared halves with my mom and a bit of juice dripped down my palm, which I licked off. It tasted sweet and bright and good. Habits - Desi Silverman-Joseph Magical thinking. That’s what I heard it’s called. The twelve times I must jump and touch the ceiling when I get ready in the morning. The need to throw my socks onto the bed without them bouncing off before I put them on. The fact that I must put on my left shoe before my right, wipe my butt with certain hands in a certain order, soap up my body from bottom to top in the shower (yes, I know it’s gross). The way I cannot fall asleep without first cracking my back—folding my left leg ninety degrees over the right before reversing this position. It’s the doom I feel if I were to abandon these rituals. The slope between routine and superstition is slick as ice. What starts as an arbitrary habit to make a task automatic or avoid a decision can cement into a terrifying rigidity of mind—into a need that feels as vital as drinking water. What would happen if I forsook the twelve jumps or the sock game? If I put my shoes on right to left, soaped my body top-down like a normal person, violated the rulebook for wiping my ass? Lord, spare me from finding out. The stitches which hold the world together would surely disintegrate, the dams would burst, my downfall would be all but ensured. So please, let me work my magic. Hat Trick - Ina Ma I operate in extremes. It’s unsettling, to sit down with the midday sun hanging high in the sky then blink and find her setting, leaving me behind in the dust because I squandered the afternoon doodling. On other days, I can’t bring myself to open my drawing program lest the sight of the white and gray user interface makes me physically nauseous. The ability to create is as supernatural as any magic. Art is my magic, with shaky/uneven lines and disproportionate anatomy, but my magic. If I am a magician, then digital art is my hocus pocus. Like pulling a rabbit out of a hat, this is a trick I’ve done a thousand times before as my fingers slip over the keyboard, stabilizing lines, gradients, and fill buckets. When the rabbit listens, my flesh does not bind me. The nerves between mind and body are severed, gnawed through, no longer sending the signals requesting sustenance or rest. Every function within my body is working in tandem, synced in stable equilibrium solely to create. Hours are carved out of my day, waking up at five or retiring past midnight, skipping meals and events, to satiate the smoldering desire. I am only brought back to my body when the mental barrier is no longer strong enough to withstand the barrage of physical pain: bleary sight, deep aching in my back, an ominous pain in my wrist that says “impending carpal tunnel.” But sometimes, the rabbit grabs you by the ears. After these bouts of obsessivity, it spurns the suggestion of illustration, thumping its foot in my stomach at any hint of creative effort. It is a motion sickness where the motion is the firing of neurons in my brain. I have a playlist of songs that I would play on loop for hours on end for forays into animation, songs that I do not allow myself to listen to casually, in case the rabbit’s ears catch wind and it comes for me with disparaging rage, twisting knots in my abdomen. At the end of the day, I lure the rabbit back, not with a personal desire to draw or looming deadlines, but with gentle touch and promise of carrots and rest. As much as it wishes it could, the rabbit does not exist without me. It cooperates, and the cycle begins anew. Magari - Luca Raffa I dreamt about a prior life, a life I would not have merely existed in--a life I would have instead lived. I would probably be a peasant picking pears or peaches all day in the orchards; the limoncello sun would pinch me alive with the ripeness of passion and pride, and I would suckle the sweetness of life like the flesh of a persimmon, though my shadow might be my only companion. Or I might be nu piscaturi alone in the water, my golden face rough against the salty winds. I would whistle a charming melody about the fish that could fly across the uncertain sea. I would be as certain as the sun. Then I met you. I woke up, and your eyes appeared like the shallow turquoise waters I saw in my dreams and your hair appeared as soft as those peaches glistening in that sun. You make me see fish flying in the deep blueness of the sky, make my passion turn sour and my pride become mouldy. You make me want to dance to your drunken melody and nourish this helpless feeling. You make me ask God: “what do you call this magic? Love or Foolishness?”. For it is as perfect as lemon blossoms in the springtime. I Believe in Magic - Juliet Corwin When I say I believe in magic I mean I believe in evolution. I believe in growing out of our pasts, that we do not know how to stay still, that we build ourselves along the way. When I say I believe in magic I mean I believe in hands. I believe in skin, that we can touch in a way that does not hurt, that palms can hold all of this life. When I say I believe in magic I mean I believe in dancing. I believe in moving with our heartbeats, that we all have a bit of rhythm aching in our chests. When I say I believe in magic I mean I believe in scars. I believe in healing our wounds, even quietly, that we can create shields out of air. When I say I believe in magic I mean I believe in the big bang. I believe we are explosions, that we are made of stardust, that there is a drop of sunshine in each of us. When I say I believe in magic I mean I believe in sweat. I believe in salt, that we all can glisten, that we can melt and glide and shine. When I say I believe in magic I mean I believe in neurons. I believe that we are electric, firing across synapses, that we create our own sparks. When I say I believe in magic I mean I believe in ladybugs. I believe in wishes, that we make them just in case, and who’s to say they don’t come true after we’ve forgotten them? When I say I believe in magic I mean I believe in wombs. I believe in cradling close, that nests can be made of scraps, that we all learn a way of coming home. Desert Magic - Annabelle Stableford “Avada Kedavra!” Snape yelled, lunging out from behind the sandstone boulder. His black cape swirled in the red dust. Lupin, Ginny, and Hermione froze. The sky was a special kind of blue over the orange cliffs; the sand stung in their nostrils and watered their eyes; they did not know which of them had died. “No—wait—you can’t say that, it’s unforgivable,” I said, dropping Hermione’s accent to make sure my brother Sam, playing Snape, got the message. “Fine, but I’m still evil right now, okay?” Sam said. We all agreed, then kicked our feet in the dry sand as we wondered how to recover from our break in character. “Let’s go to Gringotts,” said Ginny, played by our family friend Liza. “I have a deposit to make.” Lupin, played by Liza’s brother Misha, jumped in: “I’ve heard rumors of a security breach. Keep your guards up.” Hermione, Ginny, and Lupin brandished their desert sticks as they turned to the pock-marked boulders, perfect for stashing gold deposits in. “Wait—and then how ‘bout I’m waiting there to attack,” Sam said. “And then how ‘bout I turn into a werewolf because it’s a full moon,” Misha replied. “And then how ‘bout you chase me and I have to retreat.” We “and then how ‘bout-ed” our way to our favorite boulder with large cubby-holes indented in the rock, where we took our places. As Ginny, Hermione, and Lupin deposited gold, Snape jumped out from behind a rock and yelled, “stupify!” Hermione fell back against the boulder, Ginny cast “expelliarmus!”, then all hell broke loose. Wands exploded, capes billowed in the wind, the battle raged. Darkness soon fell on the land of magic. Our shoes filled with sand and debris from the twiggy brush and our throats ached for water, but Hermione, Ginny, Lupin, and Snape carried on, riveted with adrenaline. As Lupin began writhing in the emerging wash of moonlight, a group of climbers walked down the path, heavy bags of rope and gear shouldered on their backs. They stared at us—our Crocs, our scraped skin, the sticks we clutched to our chests, the way we swished at cloaks they could not see. We took no notice, purposefully ignoring the amused glances the climbers exchanged with each other. “Muggles,” Ginny whispered to Hermione with an eye roll. They would never understand.

Goodbye

Luca Raffa
May 21, 2025

August/ September 2015 Although the nervous sweat evaporated from my skin in the high August afternoon, the driving sting of my salty fear still remained. The heat burnt me like it did the bitter grass in the fields—rusting under the merciless, almighty sun. On the eve of September, the rattling sighs of crickets hiding in the fields welcomed me; the crickets sang about death so beautifully. Amongst the fields, there it was: this cluster of white buildings, which appeared to me like castles. I walked towards the building with the golden bell, bright as freedom—it could almost be confused with the sun. The green doors of hope opened, and a man stood to greet me. His smile was big. He shook my weak hand: a firm, practiced grip. As our hands fell to our sides, his rolled up sleeves exposed the hair that grew wildly on his arms. He wore a blue dress shirt that erupted with sour sweat all over, tucked into a new pair of khaki pants and cinched by a leather belt to keep his belly in. Like me, I learned that Mr. Bates was new to this school. And at least that was something we could share. That September, Mr. Bates taught me and my boisterous peers how to greet one another. Give them your eyes. Give them your hands. Give them your words. I rehearsed over and over and over again until I had memorized this perfect display of human decency. Mr. Bates was teaching me how to navigate the spectacle of human interaction. He was teaching me how to belong in this world. * October/ November 2016 A layer of frost crusted the fresh decay of leaves that, by the evening, would continue to rot in the late October mist. The wind in the dark was nightmarish. It brought shivers to the trees, whose sick leaves would slowly dance to the ground, awaiting the night’s nip of winter. Like the trees I often trembled, alone in the dark and blind with nervousness. Stumbling up stairs, I would enter a bright room fresh with the rousing exuberance of youths I did not know. On opposite sides of the ballroom, the boys in their blue suits pretended to be men while the girls glistened in a resplendent rainbow of dresses. This was etiquette class. I learned how to waltz. The stiff clutch of my tie eased when I finally managed to approach a girl to dance during the first lesson. The question, sinking in my throat, at last burst forth frantically. My eagerness became our awkward foxtrot. She wore a taut black dress that complimented her smoothe, dark hair. Below her soft and secretive eyes, her face was scattered with rosette freckles all over. She leapt like a leopard into the night, forever disappearing from me––nameless. Each week, I danced with a new girl. I practiced introducing myself respectfully, meeting her elegant eyes, shaking her hand gracefully, moving my feet, touching my left hand to her shoulder, touching my right hand to her hip, swaying, dazzling. * December/ January 2017 At dawn, the dim glow of the moon was fleeting, the stars fading. The soft snow slept on the driveway like the powdered sugar that dusted my breakfast. The avenue was still, and everyone was inside still asleep. The wind yawned, releasing a sweet puff of life that wandered freely. The sun kissed its warmth on my neck. The cold embraced me too. At Christmastime, my family would drive ten hours to visit my grandmother. She was a round woman with a bullous nose, sharp eyebrows, and defiant eyes. She would summon me and my brother with a sputtering yell––boys, the food is ready––her way of saying that she loved us. The suitcases huddled ready in the shut trunk. The muffled sighs of the car and the blue fumes rising upward became one with the cool winter sky. The icicles stuck to the edges of the undercarriage melted into a puddle of slush black as charcoal. The car’s fresh leather seats were warm, causing the frost on my window to melt away and reveal the figure of my grandmother, small and motionless in the frame of the door, watching us leave. She was waiting for our promise to return again. Goodbye. *** In our youth, we are taught how to greet one another. It is an act of maturity, an act of integration into the world, an act of becoming. We learn to be actors who play our parts with projected voices and firm, dramatic motions. Our masks and costumes are charming. We follow the script.We perform ourselves. Yet no one ever teaches us how to say goodbye. Perhaps, letting go must be a truth then: a testament to our character, to our love, to the depth of our souls. We do not need to go to school or to ballroom dancing to learn how to say goodbye. It already glows in our hearts. Ultimately, life is an act of letting go. It is standing alone in the open doorway, the cold creeping inside, and silently watching those you love leave for new adventures. It is welcoming the uncertainty of when you will see that person again. It is the comforting pain of their absence, and the sweetness of your longing. It is the fateful pleasure of the unknown.

Paranoid in Detroit: A Retrospective Airport Guide

Elsa Eastwood
April 28, 2025

In the beginning, Delta Airlines created a 10am flight to Los Angeles, and I arrived early at my gate, enveloped in a net of peace, anticipating a night in my childhood bed back home, and the sun rose over Providence. But then the Intercom said, “Let there be a $1,500 airline voucher for any travelers willing to transfer to the 5pm to Los Angeles through Detroit,” and I awoke. Too good to be true? Perhaps. This morning would mark only the beginning of my chaotic pilgrimage. Here’s what I wish I had been told: Accept the voucher, but know what you’re getting into. Don’t lose yourself in visions of a restful Christmas vacation—you must first earn it. Your new flight is in nine hours. Text your dad: no longer getting home today, sorry. Listen to the charismatic British-Canadian rugby player you meet at the gate when he informs you that no one wins anything by standing patiently in line. Muscle your way to the front for your updated boarding pass. Find creative ways to pass the time while you wait. Stare at the stretches of gray carpet, the seas of hurried bodies. Treat yourself to a $16.50 meatball sandwich, which will inevitably taste like wet cardboard. Find a nook and doom-scroll into oblivion as time crawls, turtle-like, past you. Apologize to the universe for cursing the droning intercom voice that announces each delay. Airport attendants have dreams and families. Attempt to restore your karma. Once finally on board, strike up a conversation with the young, bearded Amazon employee in the neighboring seat. He may buy you a small bottle of airplane bourbon and confess to you his aviophobia. Comfort him, but know you’ll be on the tarmac for another three hours and that he’ll be drunk enough by then not to notice he’s airborne anyway. When your phone informs you midair that your connection out of Detroit has already departed, accept the truth: no airport sprint nor desperate plea will get you home today. And don’t say you hate Detroit. It doesn't want you there either. After you land, an agitated agent at a Delta “Help” desk will claim she can’t rebook your flight or help you find a place to sleep. Ignore her. Get a second opinion and an off-the-freeway motel voucher. Don’t talk to irritable strangers at 1am on the airport shuttle en route to said off-the-freeway motel. Hop across the lily-pad stains on the lobby carpet to lighten the mood. On the way to your room, try not to picture bodies in a range of consciousness behind each door or an eerie solo violin accompanying you down the hallway. If you must, have a makeshift weapon ready. You’ll hear water running when you enter. The bathtub is full, the faucet stuck. Estimate how long you have before a flood consumes the room. Futz with the thermostat to no avail. 30°. Nice work. You’re sleeping in your clothes. Never rely on a fatigued and hungry mind. There is no skeleton hand on your pillow, no gelatinous tentacles emerging from beneath the bed. That languid, naked woman on the windowsill? A trick of the light. (Deadbolt the door twice.) Sacrifice your vigilance for some shivery sleep. Imagine yourself somewhere more forgiving—the dentist’s office or DMV waiting room, the kitchenware aisle of a suburban IKEA. Wake up to a 5am alarm. Brave the snowstorm, the lonely motel muffin, the shuttle back to the airport. Drag your bag the final few yards. And once you’ve collapsed into your seat and let your eyes fall closed, find solace in the Los Angeles skyline appearing against the darkness of your eyelids, the weight of a new $1,500 in your pocket, as the plane wheels roll steadily forward.

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